Jazzforschung / Jazz Research – Page 3 – International Society for Jazz Research

Jazzforschung / Jazz Research 29 (1997)

https://jazzresearch.org/wp-content/themes/osmosis/images/empty/thumbnail.jpg 150 150 International Society for Jazz Research International Society for Jazz Research https://jazzresearch.org/wp-content/themes/osmosis/images/empty/thumbnail.jpg 18. March 1997 29. March 2019

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Wynton Marsalis Rhythmisch-metrische Strukturen Art Ensemble of Chicago Improvisationsstil eines Musikerkollektivs Charlie Christian The Role of Formulas Inhaltsverzeichnis/Contents: Aufsätze/Essays: Günther Huesmann Rhythmisch-metrische Strukturen in der Musik von Wynton Marsalis Martin Pfleiderer Das Art Ensemble of…

Jazzforschung / Jazz Research 28 (1996)

https://jazzresearch.org/wp-content/themes/osmosis/images/empty/thumbnail.jpg 150 150 International Society for Jazz Research International Society for Jazz Research https://jazzresearch.org/wp-content/themes/osmosis/images/empty/thumbnail.jpg 18. March 1996 29. March 2019

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Friedrich Körner Festschrift zum 65. Geburtstag Inhalt/Contents: Manfred Straka Clifford Brown und sein Solo über “Jordu” Franz Kerschbaumer The Roots and the Developement of Fusion in The Music of Miles Davis Franz Krieger “Tunisias Blues”.…

Jazzforschung / Jazz Research 27 (1995)

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Franz Krieger Jazz-Solopiano: Zum Stilwandel am Beispiel ausgewählter „Body And Soul“-Aufnahmen von 1938–1992 This investigation into the stylistics of jazz piano takes, in an analytical and comparative way, selected Body And Soul solo piano recordings…

Jazzforschung / Jazz Research 26 (1994)

https://jazzresearch.org/wp-content/themes/osmosis/images/empty/thumbnail.jpg 150 150 International Society for Jazz Research International Society for Jazz Research https://jazzresearch.org/wp-content/themes/osmosis/images/empty/thumbnail.jpg 18. March 1994 29. March 2019

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Analytical Models of Jazz Improvisation Peter Herbolzheimer Force, Mass and Acceleration in Oscar Peterson Stéphane Grappelli Leroy “Snake” Whyte – A Blue Devil Inhalt/Contents: Aufsätze/Essays: John Brownell Analytical Models of Jazz Improvisation Karl Hemgesberg Peter…

Jazzforschung / Jazz Research 25 (1993)

https://jazzresearch.org/wp-content/themes/osmosis/images/empty/thumbnail.jpg 150 150 International Society for Jazz Research International Society for Jazz Research https://jazzresearch.org/wp-content/themes/osmosis/images/empty/thumbnail.jpg 18. March 1993 29. March 2019

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Gerhard Putschögl John Coltrane und die afroamerikanische Oraltradition. (I) The central purpose of the author is to convey an understanding of John Coltrane‘s music, and at the same time, be as faithful as possible to…

Jazzforschung / Jazz Research 24 (1992)

https://jazzresearch.org/wp-content/themes/osmosis/images/empty/thumbnail.jpg 150 150 International Society for Jazz Research International Society for Jazz Research https://jazzresearch.org/wp-content/themes/osmosis/images/empty/thumbnail.jpg 18. March 1992 29. March 2019

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Santana: Gestaltungsformen moderner Popularmusik Stéphane Grappelli’s Violin Technique Charlie Parker: Polyharmony, Polymeter und Motivic Development Kid-Ory-Ensemble 1922: “Society Blues” Third Stream Inhalt/Contents: Aufsätze/Essays: Christian Pfarr Gestaltungsformen moderner Popularmusik. Drei Repertoirebeispiele der Rockgruppe “Santana” Frank Murphy…

Jazzforschung / Jazz Research 23 (1991)

https://jazzresearch.org/wp-content/themes/osmosis/images/empty/thumbnail.jpg 150 150 International Society for Jazz Research International Society for Jazz Research https://jazzresearch.org/wp-content/themes/osmosis/images/empty/thumbnail.jpg 18. March 1991 29. March 2019

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“Ory’s Creole Trombone” Erste “schwarze” Jazzschallplattenaufnahme Improvisation of Wes Mongomery Typologie von Ragtime-Rhythmen Literatur zu Miles Davis Inhalt/Contents: Aufsätze/Essays: Florian Horst Hüger Ory’s Creole Trombone. Transkription und Analyse der ersten Schallplatten- aufnahme einer schwarzen New…

Jazzforschung / Jazz Research 22 (1990)

https://jazzresearch.org/wp-content/themes/osmosis/images/empty/thumbnail.jpg 150 150 International Society for Jazz Research International Society for Jazz Research https://jazzresearch.org/wp-content/themes/osmosis/images/empty/thumbnail.jpg 18. March 1990 29. March 2019

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Improvisations of Charlie Christian Big Band Arrangement Thad Jones – Mel Lewis Orchestra Pepper Adams Jazzrock in Großbritannien Inhalt/Contents: Howard Spring The Use of Formulas in the Improvisations of Charlie Christian Oliver Curth Untersuchungen zu…

Jazzforschung / Jazz Research 21 (1989)

https://jazzresearch.org/wp-content/themes/osmosis/images/empty/thumbnail.jpg 150 150 International Society for Jazz Research International Society for Jazz Research https://jazzresearch.org/wp-content/themes/osmosis/images/empty/thumbnail.jpg 18. March 1989 29. March 2019

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Chet Baker bei Gerry Mulligan Bebop Harmonie Eric Dolphy Transkriptionen Bill Evans Trio Bix Beiderbecke Klavierkomponist Jazzkritik in den 30er Jahren Ragtime-Schallplatten in Europa Zur Klassifikation des Jazzrhythmus 20 Jahre Jazzforschung in Graz Inhalt/Contents: Aufsätze/Essays:…

Jazzforschung / Jazz Research 20 (1988)

https://jazzresearch.org/wp-content/themes/osmosis/images/empty/thumbnail.jpg 150 150 International Society for Jazz Research International Society for Jazz Research https://jazzresearch.org/wp-content/themes/osmosis/images/empty/thumbnail.jpg 18. March 1988 29. March 2019

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Flöte im Jazz Miles Davis-Wayne Shorter Connection Muddy Waters’ Music Rhythm & Blues Klassifikation von Rhythmen Inhaltsverzeichnis/Contents: Aufsätze/Essays: Hubert Böhm Aspekte zur Entwicklung des Flötenspiels im Jazz zwischen 1950 und 1980 Eddie S. Meadows The…