{"id":937,"date":"2017-03-29T12:55:34","date_gmt":"2017-03-29T10:55:34","guid":{"rendered":"https:\/\/jazzresearch.org\/?p=937"},"modified":"2019-03-29T12:56:29","modified_gmt":"2019-03-29T11:56:29","slug":"jazz-research-news-49-2017","status":"publish","type":"post","link":"https:\/\/jazzresearch.org\/en\/jazz-research-news\/jazz-research-news-49-2017\/","title":{"rendered":"Jazz Research News 49 (2017)"},"content":{"rendered":"<p><strong>I. Informationen \/ Information<\/strong><br \/>\nDanz\u00f3n und Ragtime: Ein Musikareal in der Vor- und Fr\u00fchgeschichte des Jazz<br \/>\nThe Hungarian Jazz Studies Research Group JaTaKuCs and Conference Report:<br \/>\n\u00bbThe First Symposium of the Jazz Studies Research Group JaTaKuCs\u00ab,<br \/>\nBudapest (Hungary), May 15, 2017<\/p>\n<p><strong>II. Rezensionen \/ Reviews<\/strong><br \/>\nYvetta Kajanov\u00e1 \/ Gertrud Pickhan \/ R\u00fcdiger Ritter (Hg.):<br \/>\nJazz from Socialist Realism to Postmodernism<\/p>\n<p><strong>III. Transkriptionen \/ Transcriptions<\/strong><br \/>\nGiant Steps \u2013 as played by Branford Marsalis<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I. Informationen \/ Information Danz\u00f3n und Ragtime: Ein Musikareal in der Vor- und Fr\u00fchgeschichte des Jazz The Hungarian Jazz Studies Research Group JaTaKuCs and Conference Report: \u00bbThe First Symposium of the Jazz Studies Research Group JaTaKuCs\u00ab, Budapest (Hungary), May 15, 2017 II. Rezensionen \/ Reviews Yvetta Kajanov\u00e1 \/ Gertrud Pickhan \/ R\u00fcdiger Ritter (Hg.): Jazz [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-937","post","type-post","status-publish","format-standard","hentry","category-jazz-research-news"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["de","en"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/937","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/comments?post=937"}],"version-history":[{"count":1,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/937\/revisions"}],"predecessor-version":[{"id":938,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/937\/revisions\/938"}],"wp:attachment":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/media?parent=937"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/categories?post=937"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/tags?post=937"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}