{"id":933,"date":"2015-03-29T12:53:39","date_gmt":"2015-03-29T10:53:39","guid":{"rendered":"https:\/\/jazzresearch.org\/?p=933"},"modified":"2019-03-29T12:54:32","modified_gmt":"2019-03-29T11:54:32","slug":"jazz-research-news-47-2015","status":"publish","type":"post","link":"https:\/\/jazzresearch.org\/en\/jazz-research-news\/jazz-research-news-47-2015\/","title":{"rendered":"Jazz Research News 47 (2015)"},"content":{"rendered":"<p><strong>I. Informationen \/ Information<\/strong><br \/>\n\u00bbEisgek\u00fchlter Hot\u00ab: Visualisierungen im Westdeutschen Jazz der 1950er Jahre<br \/>\nTagungsbericht: \u00bbGrowing Up \u2013Jazz in Europa 1960\u20131980\u00ab, Luzern (Schweiz), 6.\u20138. November 2014<\/p>\n<p><strong>II. Rezensionen \/ Reviews<\/strong><br \/>\nWillem Strank \/Claus Tieber (Hg.): Jazz im Film. Beitr\u00e4ge zu Geschichte und Theorie eines intermedialen Ph\u00e4nomens<\/p>\n<p><strong>III. Transkriptionen \/ Transcriptions<\/strong><br \/>\nMarilyn&#8217;s Dilemma \u2013 as Played by Kenny Dorham and Butch Warren<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I. Informationen \/ Information \u00bbEisgek\u00fchlter Hot\u00ab: Visualisierungen im Westdeutschen Jazz der 1950er Jahre Tagungsbericht: \u00bbGrowing Up \u2013Jazz in Europa 1960\u20131980\u00ab, Luzern (Schweiz), 6.\u20138. November 2014 II. Rezensionen \/ Reviews Willem Strank \/Claus Tieber (Hg.): Jazz im Film. Beitr\u00e4ge zu Geschichte und Theorie eines intermedialen Ph\u00e4nomens III. Transkriptionen \/ Transcriptions Marilyn&#8217;s Dilemma \u2013 as Played by [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-933","post","type-post","status-publish","format-standard","hentry","category-jazz-research-news"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["de","en"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/933","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/comments?post=933"}],"version-history":[{"count":1,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/933\/revisions"}],"predecessor-version":[{"id":934,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/933\/revisions\/934"}],"wp:attachment":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/media?parent=933"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/categories?post=933"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/tags?post=933"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}