{"id":931,"date":"2014-03-29T12:52:46","date_gmt":"2014-03-29T11:52:46","guid":{"rendered":"https:\/\/jazzresearch.org\/?p=931"},"modified":"2019-03-29T12:53:29","modified_gmt":"2019-03-29T11:53:29","slug":"jazz-research-news-46-2014","status":"publish","type":"post","link":"https:\/\/jazzresearch.org\/en\/jazz-research-news\/jazz-research-news-46-2014\/","title":{"rendered":"Jazz Research News 46 (2014)"},"content":{"rendered":"<p><strong>I. Informationen \/ Information<\/strong><br \/>\nArtie Shaw and the Gramercy Five: The Final Recordings<\/p>\n<p><strong>II. Rezensionen \/ Reviews<\/strong><br \/>\nImprokomposition: Buch I der imagin\u00e4ren Geometrie zur Anwendung in der Klavierimprovisation<\/p>\n<p><strong>III. Transkriptionen \/ Transcriptions<\/strong><br \/>\nAfter You\u2019ve Gone \u2013 as Played by Anat Cohen<br \/>\nDon\u2019t Lose Your Mind \u2013 as Played by Michal Urbaniak and Marcus Miller<br \/>\nI\u2019m in Love with Love \u2013 as Played by John Scofield<br \/>\nThe Drum Also Waltzes \u2013 as Played by Max Roach<br \/>\nWell Now \u2013 as Played by Roy Haynes<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I. Informationen \/ Information Artie Shaw and the Gramercy Five: The Final Recordings II. Rezensionen \/ Reviews Improkomposition: Buch I der imagin\u00e4ren Geometrie zur Anwendung in der Klavierimprovisation III. Transkriptionen \/ Transcriptions After You\u2019ve Gone \u2013 as Played by Anat Cohen Don\u2019t Lose Your Mind \u2013 as Played by Michal Urbaniak and Marcus Miller I\u2019m [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-931","post","type-post","status-publish","format-standard","hentry","category-jazz-research-news"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["de","en"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/931","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/comments?post=931"}],"version-history":[{"count":2,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/931\/revisions"}],"predecessor-version":[{"id":1086,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/931\/revisions\/1086"}],"wp:attachment":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/media?parent=931"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/categories?post=931"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/tags?post=931"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}