{"id":929,"date":"2014-03-29T12:51:57","date_gmt":"2014-03-29T11:51:57","guid":{"rendered":"https:\/\/jazzresearch.org\/?p=929"},"modified":"2019-03-29T12:52:39","modified_gmt":"2019-03-29T11:52:39","slug":"jazz-research-news-45-2014","status":"publish","type":"post","link":"https:\/\/jazzresearch.org\/en\/jazz-research-news\/jazz-research-news-45-2014\/","title":{"rendered":"Jazz Research News 45 (2014)"},"content":{"rendered":"<p><strong>I. Informationen \/ Information<\/strong><br \/>\nConference Report: \u00bbJazz Talks: 1st University of Aveiro International Jazz Conference; \u203aJazz Messengers: The Role of Jazz Promoters in Europe\u2039\u00ab, Aveiro (Portugal), November 8\u20139, 2013<\/p>\n<p><strong>II. Rezensionen \/ Reviews<\/strong><br \/>\nWail: The Life of Bud Powell<\/p>\n<p><strong>III. Transkriptionen \/ Transcriptions<\/strong><br \/>\nSweet Georgia Brown \u2013 as Played by Mark O\u2019Connor and Carlos Henriquez<br \/>\nName that Tune \u2013 as Played by John Scofield and Steve Swallow<br \/>\nLa gloria eres t\u00fa \u2013 as Played by Tete Montoliu and Horacio Fumero<br \/>\nI Found a New Baby \u2013 as Played by John Scofield<br \/>\nLine for Lyons \u2013 as Played by John Scofield<br \/>\nBirdfingers \u2013 as Played by \u00bbThe Eleventh House\u00ab with Larry Coryell<br \/>\nSincerely Diana \u2013 as Played by Art Blakey<br \/>\nDown Home \u2013 as Played by Roy Haynes<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I. Informationen \/ Information Conference Report: \u00bbJazz Talks: 1st University of Aveiro International Jazz Conference; \u203aJazz Messengers: The Role of Jazz Promoters in Europe\u2039\u00ab, Aveiro (Portugal), November 8\u20139, 2013 II. Rezensionen \/ Reviews Wail: The Life of Bud Powell III. Transkriptionen \/ Transcriptions Sweet Georgia Brown \u2013 as Played by Mark O\u2019Connor and Carlos Henriquez [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-929","post","type-post","status-publish","format-standard","hentry","category-jazz-research-news"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["de","en"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/929","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/comments?post=929"}],"version-history":[{"count":1,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/929\/revisions"}],"predecessor-version":[{"id":930,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/929\/revisions\/930"}],"wp:attachment":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/media?parent=929"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/categories?post=929"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/tags?post=929"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}