{"id":927,"date":"2013-03-29T12:50:55","date_gmt":"2013-03-29T11:50:55","guid":{"rendered":"https:\/\/jazzresearch.org\/?p=927"},"modified":"2019-03-29T12:51:48","modified_gmt":"2019-03-29T11:51:48","slug":"jazz-research-news-44-2013","status":"publish","type":"post","link":"https:\/\/jazzresearch.org\/en\/jazz-research-news\/jazz-research-news-44-2013\/","title":{"rendered":"Jazz Research News 44 (2013)"},"content":{"rendered":"<p><strong>I. Informationen \/ Information<\/strong><br \/>\nConference Report, Part II: \u00bbRhythm Changes II: Rethinking Jazz Cultures\u00ab, Salford (UK), April 11\u201314, 2013<br \/>\nExhibition Report: \u00bbEl ru\u00eddo alegre: Jazz en la Biblioteca Nacional de Espa\u00f1a\u00ab [The Joyful Noise: Jazz in the National Library of Spain], Biblioteca Nacional de Espa\u00f1a (Madrid), Nov. 28, 2012, to Feb. 24, 2013<\/p>\n<p><strong>II. Rezensionen \/ Reviews<\/strong><br \/>\nBlack Europe: The Sounds and Images of Black People in Europe pre-1927<\/p>\n<p><strong>III. Transkriptionen \/ Transcriptions<\/strong><br \/>\nFootprints \u2013 as Played by Wayne Shorter and Esperanza Spaulding<br \/>\nIf \u2013 as Played by Larry Goldings and John Scofield<br \/>\nWell, I Guess We\u2019ll Never Know \u2013 as Played by John Scofield<br \/>\nEgocentric Molecules \u2013 as Played by Jean-Luc Ponty and Ralphe Armstrong<br \/>\nBlues for Okinawa \u2013 as Played by Clint Houston and John Scofield<br \/>\nElementary Guitar Solo #5 \u2013 as Played by Larry Coryell<br \/>\nSnap Crackle \u2013 as Played by Roy Haynes<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I. Informationen \/ Information Conference Report, Part II: \u00bbRhythm Changes II: Rethinking Jazz Cultures\u00ab, Salford (UK), April 11\u201314, 2013 Exhibition Report: \u00bbEl ru\u00eddo alegre: Jazz en la Biblioteca Nacional de Espa\u00f1a\u00ab [The Joyful Noise: Jazz in the National Library of Spain], Biblioteca Nacional de Espa\u00f1a (Madrid), Nov. 28, 2012, to Feb. 24, 2013 II. Rezensionen [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-927","post","type-post","status-publish","format-standard","hentry","category-jazz-research-news"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["de","en"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/927","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/comments?post=927"}],"version-history":[{"count":1,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/927\/revisions"}],"predecessor-version":[{"id":928,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/927\/revisions\/928"}],"wp:attachment":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/media?parent=927"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/categories?post=927"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/tags?post=927"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}