{"id":925,"date":"2013-03-29T12:50:05","date_gmt":"2013-03-29T11:50:05","guid":{"rendered":"https:\/\/jazzresearch.org\/?p=925"},"modified":"2019-03-29T12:50:47","modified_gmt":"2019-03-29T11:50:47","slug":"jazz-research-news-43-2013","status":"publish","type":"post","link":"https:\/\/jazzresearch.org\/en\/jazz-research-news\/jazz-research-news-43-2013\/","title":{"rendered":"Jazz Research News 43 (2013)"},"content":{"rendered":"<p><strong>I. Informationen \/ Information<\/strong><br \/>\nTagungsbericht: \u00bbEuropean Jazz Personalities\u00ab \u2013 International Conference Bratislava (Slowakei), 22.\u201324. April 2013<br \/>\nConference Report, Part I: \u00bbRhythm Changes II: Rethinking Jazz Cultures\u00ab, Salford (UK), April 11\u201314, 2013<br \/>\nConference Report: \u00bbJazz Progressions: 20th Leeds International Jazz Education Conference\u00ab, Leeds (UK), March 21\u201322, 2013<br \/>\nSweet and Low (MM 0679): Red Nichols and the Tune around the Tune<\/p>\n<p><strong>II. Rezensionen \/ Reviews<\/strong><br \/>\nThe Steve Turre Collection : 14 Authentic Transcriptions<\/p>\n<p><strong>III. Transkriptionen \/ Transcriptions<\/strong><br \/>\nGiant Steps \u2013 as Played by John Scofield<br \/>\nC-Jam Blues \u2013 as Played by Oscar Peterson and Ray Brown<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I. Informationen \/ Information Tagungsbericht: \u00bbEuropean Jazz Personalities\u00ab \u2013 International Conference Bratislava (Slowakei), 22.\u201324. April 2013 Conference Report, Part I: \u00bbRhythm Changes II: Rethinking Jazz Cultures\u00ab, Salford (UK), April 11\u201314, 2013 Conference Report: \u00bbJazz Progressions: 20th Leeds International Jazz Education Conference\u00ab, Leeds (UK), March 21\u201322, 2013 Sweet and Low (MM 0679): Red Nichols and the [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-925","post","type-post","status-publish","format-standard","hentry","category-jazz-research-news"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["de","en"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/925","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/comments?post=925"}],"version-history":[{"count":1,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/925\/revisions"}],"predecessor-version":[{"id":926,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/925\/revisions\/926"}],"wp:attachment":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/media?parent=925"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/categories?post=925"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/tags?post=925"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}