{"id":923,"date":"2012-03-29T12:49:15","date_gmt":"2012-03-29T10:49:15","guid":{"rendered":"https:\/\/jazzresearch.org\/?p=923"},"modified":"2019-03-29T12:49:57","modified_gmt":"2019-03-29T11:49:57","slug":"jazz-research-news-42-2012","status":"publish","type":"post","link":"https:\/\/jazzresearch.org\/en\/jazz-research-news\/jazz-research-news-42-2012\/","title":{"rendered":"Jazz Research News 42 (2012)"},"content":{"rendered":"<p><strong>I. Informationen \/ Information<\/strong><br \/>\nArtie Shaw and the Gramercy Five: The Final Recordings<br \/>\nConference Report: \u00bbRhythm Changes Symposium: Jazz in der Kulturlandschaft \u00d6sterreich [Jazz in the Austrian Cultural Landscape]\u00ab, Vienna (Austria), July 2, 2012<br \/>\nConference Report: \u00bbThe Gender of Jazz and Notions of Authenticity: 10th Nordic Jazz Conference\u00ab, Stockholm (Sweden), August 30\u201331, 2012<\/p>\n<p><strong>II. Rezensionen \/ Reviews<\/strong><br \/>\nJazzgeschichten aus Europa<br \/>\nMusic Is My Life: Louis Armstrong, Autobiography, and American Jazz<\/p>\n<p><strong>III. Transkriptionen \/ Transcriptions<\/strong><br \/>\nLove Is Stronger than Justice \u2013 as Played by Vinnie Colaiuta<br \/>\nSeven Days \u2013 as Played by Vinnie Colaiuta<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I. Informationen \/ Information Artie Shaw and the Gramercy Five: The Final Recordings Conference Report: \u00bbRhythm Changes Symposium: Jazz in der Kulturlandschaft \u00d6sterreich [Jazz in the Austrian Cultural Landscape]\u00ab, Vienna (Austria), July 2, 2012 Conference Report: \u00bbThe Gender of Jazz and Notions of Authenticity: 10th Nordic Jazz Conference\u00ab, Stockholm (Sweden), August 30\u201331, 2012 II. Rezensionen [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-923","post","type-post","status-publish","format-standard","hentry","category-jazz-research-news"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["de","en"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/923","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/comments?post=923"}],"version-history":[{"count":1,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/923\/revisions"}],"predecessor-version":[{"id":924,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/923\/revisions\/924"}],"wp:attachment":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/media?parent=923"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/categories?post=923"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/tags?post=923"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}