{"id":921,"date":"2012-03-29T12:48:28","date_gmt":"2012-03-29T10:48:28","guid":{"rendered":"https:\/\/jazzresearch.org\/?p=921"},"modified":"2019-03-29T12:49:06","modified_gmt":"2019-03-29T11:49:06","slug":"jazz-research-news-41-2012","status":"publish","type":"post","link":"https:\/\/jazzresearch.org\/en\/jazz-research-news\/jazz-research-news-41-2012\/","title":{"rendered":"Jazz Research News 41 (2012)"},"content":{"rendered":"<p><strong>I. Informationen \/ Information<\/strong><br \/>\nArtie Shaw and the Gramercy Five: The Victor Recordings from 1940 and 1945<\/p>\n<p><strong>II. Rezensionen \/ Reviews<\/strong><br \/>\nEncyclopedia of African American Music<\/p>\n<p><strong>III. Transkriptionen \/ Transcriptions<\/strong><br \/>\nMufgar \u2013 as Played by Marc Ribot, Trevor Dunn and G. Calvin Weston<br \/>\nShevet \u2013 as Played by Marc Ribot<br \/>\nMichelle \u2013 as Played by Allan Holdsworth<br \/>\nTake the A-Train \u2013 as Played by Clark Terry and Red Mitchell<br \/>\nWest Coast Blues \u2013 as Played by Cannonball Adderley, Wynton Kelly and Bob Brookmeyer<br \/>\nAlexander\u2019s Ragtime Band \u2013 as Played by Benny Goodman<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I. Informationen \/ Information Artie Shaw and the Gramercy Five: The Victor Recordings from 1940 and 1945 II. Rezensionen \/ Reviews Encyclopedia of African American Music III. Transkriptionen \/ Transcriptions Mufgar \u2013 as Played by Marc Ribot, Trevor Dunn and G. Calvin Weston Shevet \u2013 as Played by Marc Ribot Michelle \u2013 as Played by [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-921","post","type-post","status-publish","format-standard","hentry","category-jazz-research-news"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["de","en"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/921","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/comments?post=921"}],"version-history":[{"count":1,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/921\/revisions"}],"predecessor-version":[{"id":922,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/921\/revisions\/922"}],"wp:attachment":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/media?parent=921"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/categories?post=921"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/tags?post=921"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}