{"id":919,"date":"2012-03-29T12:47:17","date_gmt":"2012-03-29T10:47:17","guid":{"rendered":"https:\/\/jazzresearch.org\/?p=919"},"modified":"2019-03-29T12:48:04","modified_gmt":"2019-03-29T11:48:04","slug":"jazz-research-news-40-2012","status":"publish","type":"post","link":"https:\/\/jazzresearch.org\/en\/jazz-research-news\/jazz-research-news-40-2012\/","title":{"rendered":"Jazz Research News 40 (2012)"},"content":{"rendered":"<p><strong>I. Informationen \/ Information<\/strong><br \/>\nSynkopen und Scotch Snaps in den Slav<a class=\"page-title-action\" href=\"https:\/\/jazzresearch.org\/wp-admin\/post-new.php\">Erstellen<\/a>e Songs of the United States (1867)<\/p>\n<p><strong>II. Rezensionen \/ Reviews<\/strong><br \/>\nFrom Grieg to Garbarek \u2013 Norwegian Jazz and Tonal Identity<\/p>\n<p><strong>III. Transkriptionen \/ Transcriptions<\/strong><br \/>\nImprovisation #1 (El cadete constitucional) \u2013 as Played by Gonzalo Rubalcaba<br \/>\nOn the Sunny Side of the Street \u2013 as Sung and Played by Dana Lauren and Christian McBride<br \/>\nKutiel \u2013 as Played by Marc Ribot<br \/>\nSensenya \u2013 as Played by Marc Ribot, Trevor Dunn and G. Calvin Weston<br \/>\nHazor \u2013 as Played by Marc Ribot, Greg Cohen, Mark Feldman and Erik Friedlander<br \/>\nMaskil \u2013 as Played by Marc Ribot and Greg Cohen<br \/>\nMi gran pasi\u00f3n \u2013 as Played by Gonzalo Rubalcaba and Felipe Cabrera<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I. Informationen \/ Information Synkopen und Scotch Snaps in den SlavErstellene Songs of the United States (1867) II. Rezensionen \/ Reviews From Grieg to Garbarek \u2013 Norwegian Jazz and Tonal Identity III. Transkriptionen \/ Transcriptions Improvisation #1 (El cadete constitucional) \u2013 as Played by Gonzalo Rubalcaba On the Sunny Side of the Street \u2013 as [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-919","post","type-post","status-publish","format-standard","hentry","category-jazz-research-news"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["de","en"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/919","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/comments?post=919"}],"version-history":[{"count":1,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/919\/revisions"}],"predecessor-version":[{"id":920,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/919\/revisions\/920"}],"wp:attachment":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/media?parent=919"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/categories?post=919"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/tags?post=919"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}