{"id":917,"date":"2011-03-29T12:46:23","date_gmt":"2011-03-29T10:46:23","guid":{"rendered":"https:\/\/jazzresearch.org\/?p=917"},"modified":"2019-03-29T12:47:07","modified_gmt":"2019-03-29T11:47:07","slug":"jazz-research-news-39-2011","status":"publish","type":"post","link":"https:\/\/jazzresearch.org\/en\/jazz-research-news\/jazz-research-news-39-2011\/","title":{"rendered":"Jazz Research News 39 (2011)"},"content":{"rendered":"<p><strong>I. Informationen \/ Information<\/strong><br \/>\nProjektvorstellung: \u00bbJazz &amp; the City: Identit\u00e4t einer Jazz(haupt)stadt\u00ab<br \/>\nConference Report: \u00bbRhythm Changes: Jazz and National IdentitiesConference\u00ab, Amsterdam (The Netherlands), September 1\u20134, 2011<br \/>\nConference Report: \u00bbWild Card\u00ab \u2013 18th Radio Jazz ResearchConference, Remagen (Germany), August 31 \u2013 September 1, 2011<br \/>\n\u2019Round Midnight von Thelonious Monk \u2013 eine musikalische Analyse<\/p>\n<p><strong>II. Rezensionen \/ Reviews<\/strong><br \/>\nEncyclopedia of African American Music<\/p>\n<p><strong>III. Transkriptionen \/ Transcriptions<\/strong><br \/>\nImprovisation #1 (El cadete constitucional) \u2013 as Played by Gonzalo Rubalcaba<br \/>\nNevalah \u2013 as Played by John Zorn, Dave Douglas and Greg Cohen<br \/>\nJ\u2019ai deux amours \u2013 as Sung by Jos\u00e9phine Baker and Adrien Lamy<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I. Informationen \/ Information Projektvorstellung: \u00bbJazz &amp; the City: Identit\u00e4t einer Jazz(haupt)stadt\u00ab Conference Report: \u00bbRhythm Changes: Jazz and National IdentitiesConference\u00ab, Amsterdam (The Netherlands), September 1\u20134, 2011 Conference Report: \u00bbWild Card\u00ab \u2013 18th Radio Jazz ResearchConference, Remagen (Germany), August 31 \u2013 September 1, 2011 \u2019Round Midnight von Thelonious Monk \u2013 eine musikalische Analyse II. Rezensionen \/ [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-917","post","type-post","status-publish","format-standard","hentry","category-jazz-research-news"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["de","en"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/917","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/comments?post=917"}],"version-history":[{"count":1,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/917\/revisions"}],"predecessor-version":[{"id":918,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/917\/revisions\/918"}],"wp:attachment":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/media?parent=917"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/categories?post=917"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/tags?post=917"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}