{"id":915,"date":"2011-03-29T12:45:25","date_gmt":"2011-03-29T10:45:25","guid":{"rendered":"https:\/\/jazzresearch.org\/?p=915"},"modified":"2019-03-29T12:46:13","modified_gmt":"2019-03-29T11:46:13","slug":"jazz-research-news-38-2011","status":"publish","type":"post","link":"https:\/\/jazzresearch.org\/en\/jazz-research-news\/jazz-research-news-38-2011\/","title":{"rendered":"Jazz Research News 38 (2011)"},"content":{"rendered":"<p><strong>I. Informationen \/ Information<\/strong><br \/>\nTagungsbericht: \u00bbJazz and Europe\u00ab, Paris (Frankreich), 7.\u20138. September 2011<br \/>\nIdentification of Soloists: Ray Anthony \/ Harry Arnold<\/p>\n<p><strong>II. Rezensionen \/ Reviews<\/strong><br \/>\nSyncopated Music: Fr\u00fchgeschichte des Jazz<\/p>\n<p><strong>III. Transkriptionen \/ Transcriptions<\/strong><br \/>\nImprovisation #1 (El cadete constitucional) \u2013 as Played by Gonzalo Rubalcaba<br \/>\nLady Be Good \u2013 as Played by Regina Carter<br \/>\nSpring Can Really Hang You Up The Most \u2013 as Played by Regina Carter<br \/>\nZanzibar \u2013 as Played by Freddie Hubbard and Doug Stegmeyer<br \/>\nLady Be Good \u2013 as Played by Benny Goodman<br \/>\nComin\u2019 and Goin\u2019 \u2013 as Played by the Jim Pepper Group<br \/>\nSweet Georgia Brown \u2013 as Played by Joe Venuti<br \/>\nI Can\u2019t Stop Loving You \u2013 as Sung by Frank Sinatra<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I. Informationen \/ Information Tagungsbericht: \u00bbJazz and Europe\u00ab, Paris (Frankreich), 7.\u20138. September 2011 Identification of Soloists: Ray Anthony \/ Harry Arnold II. Rezensionen \/ Reviews Syncopated Music: Fr\u00fchgeschichte des Jazz III. Transkriptionen \/ Transcriptions Improvisation #1 (El cadete constitucional) \u2013 as Played by Gonzalo Rubalcaba Lady Be Good \u2013 as Played by Regina Carter Spring [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-915","post","type-post","status-publish","format-standard","hentry","category-jazz-research-news"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["de","en"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/915","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/comments?post=915"}],"version-history":[{"count":1,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/915\/revisions"}],"predecessor-version":[{"id":916,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/915\/revisions\/916"}],"wp:attachment":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/media?parent=915"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/categories?post=915"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/tags?post=915"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}