{"id":911,"date":"2010-03-29T12:43:37","date_gmt":"2010-03-29T10:43:37","guid":{"rendered":"https:\/\/jazzresearch.org\/?p=911"},"modified":"2019-03-29T12:44:15","modified_gmt":"2019-03-29T11:44:15","slug":"jazz-research-news-36-2010","status":"publish","type":"post","link":"https:\/\/jazzresearch.org\/en\/jazz-research-news\/jazz-research-news-36-2010\/","title":{"rendered":"Jazz Research News 36 (2010)"},"content":{"rendered":"<p><strong>I. Informationen \/ Information<\/strong><br \/>\nRhythm Changes: Jazz Cultures and European Identities<br \/>\nRadiophone Jazzlandschaften: Jazz im Rundfunk und auf der B\u00fchne<\/p>\n<p><strong>II. Rezensionen \/ Reviews<\/strong><br \/>\nHerbie Hancock: Interviews<\/p>\n<p><strong>III. Transkriptionen \/ Transcriptions<\/strong><br \/>\nSilencio (Silence) \u2013 as Played by Gonzalo Rubalcaba<br \/>\nThis Is DJ Disk \u2013 as Played by the Herbie Hancock Ensemble<br \/>\nPassion \u2013 as Played by John Scofield<br \/>\nThe Lady Is A Tramp \u2013 as Sung by Frank Sinatra<br \/>\nSolitude \u2013 as Played by the Horn Section of Duke Ellington And His Orchestra<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I. Informationen \/ Information Rhythm Changes: Jazz Cultures and European Identities Radiophone Jazzlandschaften: Jazz im Rundfunk und auf der B\u00fchne II. Rezensionen \/ Reviews Herbie Hancock: Interviews III. Transkriptionen \/ Transcriptions Silencio (Silence) \u2013 as Played by Gonzalo Rubalcaba This Is DJ Disk \u2013 as Played by the Herbie Hancock Ensemble Passion \u2013 as Played [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-911","post","type-post","status-publish","format-standard","hentry","category-jazz-research-news"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["de","en"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/911","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/comments?post=911"}],"version-history":[{"count":1,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/911\/revisions"}],"predecessor-version":[{"id":912,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/911\/revisions\/912"}],"wp:attachment":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/media?parent=911"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/categories?post=911"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/tags?post=911"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}