{"id":907,"date":"2010-03-29T12:41:50","date_gmt":"2010-03-29T10:41:50","guid":{"rendered":"https:\/\/jazzresearch.org\/?p=907"},"modified":"2019-03-29T12:42:28","modified_gmt":"2019-03-29T11:42:28","slug":"jazz-research-news-34-2010","status":"publish","type":"post","link":"https:\/\/jazzresearch.org\/en\/jazz-research-news\/jazz-research-news-34-2010\/","title":{"rendered":"Jazz Research News 34 (2010)"},"content":{"rendered":"<p><strong>I. Informationen \/ Information<\/strong><br \/>\nAnnouncement of the First International Clare Fischer Symposium, Graz (Austria), May 1\u20132, 2010<br \/>\nZur musikalischen Dramaturgie in James Moodys Fl\u00f6tensolo \u00fcber \u00bbDarben The Redd Foxx\u00ab<br \/>\nGlory Hallelujah!: Red Nichols and His Recordings of \u00bbThe Battle Hymn of the Republic\u00ab from the 1940s<\/p>\n<p><strong>II. Rezensionen \/ Reviews<\/strong><br \/>\nGospel Music na Slovensku [Gospel Music in Slovakia]<\/p>\n<p><strong>III. Transkriptionen \/ Transcriptions<\/strong><br \/>\nWhat\u2019d I Say \u2013 as Played by Olivier Peters, Maceo Parker and Bernt Laukamp<br \/>\nI\u2019m All Right \u2013 as Played by Dean Parks and David Piltch<br \/>\nThieves In The Temple \u2013 as Played by Herbie Hancock, Michael Brecker, John Scofield and Dave Holland<br \/>\nStringing The Blues \u2013 as Played by Joe Venuti<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I. Informationen \/ Information Announcement of the First International Clare Fischer Symposium, Graz (Austria), May 1\u20132, 2010 Zur musikalischen Dramaturgie in James Moodys Fl\u00f6tensolo \u00fcber \u00bbDarben The Redd Foxx\u00ab Glory Hallelujah!: Red Nichols and His Recordings of \u00bbThe Battle Hymn of the Republic\u00ab from the 1940s II. Rezensionen \/ Reviews Gospel Music na Slovensku [Gospel [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-907","post","type-post","status-publish","format-standard","hentry","category-jazz-research-news"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["de","en"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/907","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/comments?post=907"}],"version-history":[{"count":1,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/907\/revisions"}],"predecessor-version":[{"id":908,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/907\/revisions\/908"}],"wp:attachment":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/media?parent=907"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/categories?post=907"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/tags?post=907"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}