{"id":905,"date":"2009-03-29T12:40:56","date_gmt":"2009-03-29T10:40:56","guid":{"rendered":"https:\/\/jazzresearch.org\/?p=905"},"modified":"2019-03-29T12:41:40","modified_gmt":"2019-03-29T11:41:40","slug":"jazz-research-news-33-2009","status":"publish","type":"post","link":"https:\/\/jazzresearch.org\/en\/jazz-research-news\/jazz-research-news-33-2009\/","title":{"rendered":"Jazz Research News 33 (2009)"},"content":{"rendered":"<p><strong>I. Informationen \/ Information<\/strong><br \/>\nConference Report:\u00a0\u00bbJazz and Jazz Research in Europe\u00ab, Graz (Austria), May 15\u201317, 2009<br \/>\nConference Report: \u00bbEl bolero en la cultura caribena y su proyecci\u00f3n universal\u00ab, Santiago de los Caballeros (Dominican Republic), April 17\u201319, 2009<br \/>\n\u00bbState Street\u00ab: Zum Spannungsaufbau in einem Gitarrensolo von Louis Winsberg<\/p>\n<p><strong>II. Rezensionen \/ Reviews<\/strong><br \/>\nBig Ears: Listening for Gender in Jazz Studies<\/p>\n<p><strong>III. Transkriptionen \/ Transcriptions<\/strong><br \/>\nBut Not for Me\u00a0\u2013 as Played by the Till Br\u00f6nner Ensemble<br \/>\nSt. Louis Blues \u2013 as Played by the Herbie Hancock Ensemble<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I. Informationen \/ Information Conference Report:\u00a0\u00bbJazz and Jazz Research in Europe\u00ab, Graz (Austria), May 15\u201317, 2009 Conference Report: \u00bbEl bolero en la cultura caribena y su proyecci\u00f3n universal\u00ab, Santiago de los Caballeros (Dominican Republic), April 17\u201319, 2009 \u00bbState Street\u00ab: Zum Spannungsaufbau in einem Gitarrensolo von Louis Winsberg II. Rezensionen \/ Reviews Big Ears: Listening for [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-905","post","type-post","status-publish","format-standard","hentry","category-jazz-research-news"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["de","en"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/905","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/comments?post=905"}],"version-history":[{"count":1,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/905\/revisions"}],"predecessor-version":[{"id":906,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/905\/revisions\/906"}],"wp:attachment":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/media?parent=905"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/categories?post=905"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/tags?post=905"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}