{"id":854,"date":"2008-03-29T12:31:24","date_gmt":"2008-03-29T11:31:24","guid":{"rendered":"https:\/\/jazzresearch.org\/?p=854"},"modified":"2019-03-29T12:32:02","modified_gmt":"2019-03-29T11:32:02","slug":"jazz-research-news-30-2008","status":"publish","type":"post","link":"https:\/\/jazzresearch.org\/en\/jazz-research-news\/jazz-research-news-30-2008\/","title":{"rendered":"Jazz Research News 30 (2008)"},"content":{"rendered":"<p><strong>I. Informationen \/ Information<\/strong><br \/>\nForschungsbericht: Die Musik von John Scofield \u2013 zur Problematik ad\u00e4quaten Transkribierens<\/p>\n<p><strong>II. Rezensionen \/ Reviews<\/strong><br \/>\nRhythm is Our Business \u2013 Jimmie Lunceford and the Harlem Express<\/p>\n<p><strong>III. Transkriptionen \/ Transcriptions<\/strong><br \/>\nDeal \u2013 as Played by Lewis Nash<br \/>\nThe Fives \u2013 as Played by Axel Zwingenberger<br \/>\nThe Masquerade \u2013 as Played by George Benson<br \/>\nSummertime \u2013 as Played by Albert Ayler<br \/>\nSummertime \u2013 as Played by John Coltrane<br \/>\nJohn\u2019s Abbey \u2013 as Played by Philly Joe Jones<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I. Informationen \/ Information Forschungsbericht: Die Musik von John Scofield \u2013 zur Problematik ad\u00e4quaten Transkribierens II. Rezensionen \/ Reviews Rhythm is Our Business \u2013 Jimmie Lunceford and the Harlem Express III. Transkriptionen \/ Transcriptions Deal \u2013 as Played by Lewis Nash The Fives \u2013 as Played by Axel Zwingenberger The Masquerade \u2013 as Played by [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-854","post","type-post","status-publish","format-standard","hentry","category-jazz-research-news"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["de","en"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/854","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/comments?post=854"}],"version-history":[{"count":1,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/854\/revisions"}],"predecessor-version":[{"id":855,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/854\/revisions\/855"}],"wp:attachment":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/media?parent=854"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/categories?post=854"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/tags?post=854"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}