{"id":846,"date":"2007-03-29T12:26:44","date_gmt":"2007-03-29T10:26:44","guid":{"rendered":"https:\/\/jazzresearch.org\/?p=846"},"modified":"2019-03-29T12:27:34","modified_gmt":"2019-03-29T11:27:34","slug":"jazz-research-news-26-2007","status":"publish","type":"post","link":"https:\/\/jazzresearch.org\/en\/jazz-research-news\/jazz-research-news-26-2007\/","title":{"rendered":"Jazz Research News 26 (2007)"},"content":{"rendered":"<p><strong>I. Informationen \/ Information<\/strong><br \/>\nAlterations in the Structure of the Committee of the International Society for Jazz Research<\/p>\n<p><strong>II. Rezensionen \/ Reviews<\/strong><br \/>\nBeyond Time and Changes: A Musician\u2019s Guide to Free Jazz Improvisation<\/p>\n<p><strong>III. Transkriptionen \/ Transcriptions<\/strong><br \/>\nThe Chicken [corrected version] \u2013 as Played by Brian Bromberg<br \/>\nFlat Out \u2013 as Played by John Scofield, Anthony Cox and Johnny Vidacovich<br \/>\nAs Time Goes By \u2013 as Played by Herbie Hancock, John McLaughlin and Pierre Michelot<br \/>\nA La Modal \u2013 as Played by Dexter Gordon<br \/>\nRhythm-A-Ning \u2013 as Played by Dexter Gordon<br \/>\nI\u2019m Late, I\u2019m Late \u2013 as Played by Stan Getz<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I. Informationen \/ Information Alterations in the Structure of the Committee of the International Society for Jazz Research II. Rezensionen \/ Reviews Beyond Time and Changes: A Musician\u2019s Guide to Free Jazz Improvisation III. Transkriptionen \/ Transcriptions The Chicken [corrected version] \u2013 as Played by Brian Bromberg Flat Out \u2013 as Played by John Scofield, [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-846","post","type-post","status-publish","format-standard","hentry","category-jazz-research-news"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["de","en"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/846","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/comments?post=846"}],"version-history":[{"count":1,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/846\/revisions"}],"predecessor-version":[{"id":847,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/846\/revisions\/847"}],"wp:attachment":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/media?parent=846"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/categories?post=846"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/tags?post=846"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}