{"id":840,"date":"2006-03-29T12:23:34","date_gmt":"2006-03-29T10:23:34","guid":{"rendered":"https:\/\/jazzresearch.org\/?p=840"},"modified":"2019-03-29T12:24:21","modified_gmt":"2019-03-29T11:24:21","slug":"jazz-research-news-23-2006","status":"publish","type":"post","link":"https:\/\/jazzresearch.org\/en\/jazz-research-news\/jazz-research-news-23-2006\/","title":{"rendered":"Jazz Research News 23 (2006)"},"content":{"rendered":"

“Ory’s Creole Trombone” Erste “schwarze” Jazzschallplattenaufnahme<\/strong>
\nImprovisation of Wes Mongomery<\/strong>
\nTypologie von Ragtime-Rhythmen<\/strong>
\nLiteratur zu Miles Davis<\/strong><\/p>\n

Inhalt\/Contents:<\/h5>\n

Aufs\u00e4tze\/Essays:<\/strong><\/p>\n

Florian Horst H\u00fcger
\nOry’s Creole Trombone. Transkription und Analyse der ersten Schallplatten-
\naufnahme einer schwarzen New Orleans Jazzband<\/p>\n

Rob van der Bliek
\nWes Montgomery: a Study of Coherence in Jazz Improvisation<\/p>\n

Ingeborg Harer
\nTypologische Untersuchung von Ragtime-Rhythmen<\/p>\n

Berichte und kleine Beitr\u00e4ge\/Reports and Small Contributions:<\/p>\n

Berndt Ostendorf
\nThe Ethel and Herman Midlo International Center for New Orleans Studies<\/p>\n

Buchbesprechungen\/Book Reviews:<\/p>\n

Franz Kerschbaumer
\nMiles Davis: Miles. The Autobiography<\/p>\n

Franz Kerschbaumer
\nPeter Wie\u00dfm\u00fcller: Miles Davis. Sein Leben. Seine Musik. Seine Schallplatten<\/p>\n

Franz Kerschbaumer
\nBarry McRae: Miles Davis<\/p>\n

Franz Kerschbaumer
\nEric Nisenson: Round about Midnight. Ein Portrait von Miles Davis<\/p>\n

Franz Kerschbaumer
\nJack Chambers: Milestones. The Music and Times of Miles Davis<\/p>\n

Franz Kerschbaumer
\nIan Carr: Miles Davis. Eine kritische Biographie<\/p>\n

Franz Kerschbaumer
\nBill Cole: Miles Davis. A Musical Biography<\/p>\n

Franz Kerschbaumer
\nMiles Davis. Stilkritische Untersuchungen zur musikalischen Entwicklung
\nseines Personalstils<\/p>\n

Elisabeth Kolleritsch
\nGary Carner: Jazz Performers. An Annotated Bibliography of Biographical Materials<\/p>\n

Harald Rauter
\nRainer E. Lotz: German Ragtime & Prehistory of Jazz, Volume 1: The Sound Documents<\/p>\n

Wolfgang Suppan
\nIngeborg Harer: Ragtime. Versuch einer Typologie<\/p>\n

Wolfgang Tozzi
\nDavid Baker (Hg.): New Perspectives on Jazz<\/p>\n

Wolfgang Tozzi
\nBert Noglik: Klangspuren. Wege improvisierter Musik<\/p>\n

Anton\u00edn Truhl\u00e1r
\nIvan Poledn\u00e1k, Anton\u00edn Watzner, Igor Wasserberger u. a.: The Encyclopedia of
\nJazz and Modern Popular Music<\/p>\n

Anton\u00edn Truhl\u00e1r
\nLubom\u00edr Doruzka: Panorama Jazzu (Jazz Panorama)<\/p>\n

Anton\u00edn Truhl\u00e1r
\nJosef Kotek, Jarom\u00edr Horec: Kronika Cesk\u00e9 Synkopy\/Die Chronik der tschechischen Synkope<\/p>\n

Anton\u00edn Truhl\u00e1r
\nKamil Behounek: M\u00e1 L\u00e1ska Je Jazz\/Meine Liebe ist Jazz<\/p>\n

Anton\u00edn Truhl\u00e1r
\nJir\u00ed Traxler: J\u00e1 Nic \u2013 J\u00e1 Muzikant\/Ich bin nichts, ich bin Musiker<\/p>\n","protected":false},"excerpt":{"rendered":"

“Ory’s Creole Trombone” Erste “schwarze” Jazzschallplattenaufnahme Improvisation of Wes Mongomery Typologie von Ragtime-Rhythmen Literatur zu Miles Davis Inhalt\/Contents: Aufs\u00e4tze\/Essays: Florian Horst H\u00fcger Ory’s Creole Trombone. Transkription und Analyse der ersten Schallplatten- aufnahme einer schwarzen New Orleans Jazzband Rob van der Bliek Wes Montgomery: a Study of Coherence in Jazz Improvisation Ingeborg Harer Typologische Untersuchung von […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-840","post","type-post","status-publish","format-standard","hentry","category-jazz-research-news"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["de","en"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/840","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/comments?post=840"}],"version-history":[{"count":1,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/840\/revisions"}],"predecessor-version":[{"id":841,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/840\/revisions\/841"}],"wp:attachment":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/media?parent=840"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/categories?post=840"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/tags?post=840"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}