{"id":836,"date":"2006-03-29T12:20:50","date_gmt":"2006-03-29T10:20:50","guid":{"rendered":"https:\/\/jazzresearch.org\/?p=836"},"modified":"2019-03-29T12:21:39","modified_gmt":"2019-03-29T11:21:39","slug":"jazz-research-news-21-2006","status":"publish","type":"post","link":"https:\/\/jazzresearch.org\/en\/jazz-research-news\/jazz-research-news-21-2006\/","title":{"rendered":"Jazz Research News 21 (2006)"},"content":{"rendered":"<p><strong>I. Informationen \/ Information<\/strong><br \/>\nRappin on the Blues: Gespr\u00e4che zum Verst\u00e4ndnis schwarzer Volkskunst. Teil 1<\/p>\n<p><strong>II. Rezensionen \/ Reviews<\/strong><br \/>\nAfrican American Music: An Introduction<\/p>\n<p><strong>III. Transkriptionen \/ Transcriptions<\/strong><br \/>\nAll The Things You Are\u00a0\u2013 as Played by Keith Jarrett<br \/>\nDon\u2019t Squawk\u00a0\u2013 as Played by Oscar Pettiford<br \/>\nNeed of Prayer\u00a0\u2013 as Sung by Reverend J. M. Gates And Two Females<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I. Informationen \/ Information Rappin on the Blues: Gespr\u00e4che zum Verst\u00e4ndnis schwarzer Volkskunst. Teil 1 II. Rezensionen \/ Reviews African American Music: An Introduction III. Transkriptionen \/ Transcriptions All The Things You Are\u00a0\u2013 as Played by Keith Jarrett Don\u2019t Squawk\u00a0\u2013 as Played by Oscar Pettiford Need of Prayer\u00a0\u2013 as Sung by Reverend J. M. Gates [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-836","post","type-post","status-publish","format-standard","hentry","category-jazz-research-news"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["de","en"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/836","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/comments?post=836"}],"version-history":[{"count":1,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/836\/revisions"}],"predecessor-version":[{"id":837,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/836\/revisions\/837"}],"wp:attachment":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/media?parent=836"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/categories?post=836"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/tags?post=836"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}