{"id":825,"date":"2004-03-29T12:14:50","date_gmt":"2004-03-29T10:14:50","guid":{"rendered":"https:\/\/jazzresearch.org\/?p=825"},"modified":"2019-03-29T12:15:25","modified_gmt":"2019-03-29T11:15:25","slug":"jazz-research-news-16-2004","status":"publish","type":"post","link":"https:\/\/jazzresearch.org\/en\/jazz-research-news\/jazz-research-news-16-2004\/","title":{"rendered":"Jazz Research News 16 (2004)"},"content":{"rendered":"<p><strong>I. Informationen \/ Information<\/strong><br \/>\nSpiritual &amp; Gospel, wei\u00df &amp; schwarz \u2013 neu betrachtet<br \/>\nTagungsbericht: \u00bbKeiner wird gewinnen: Popul\u00e4re Musik im Wettbewerb\u00ab. Schlo\u00df Rauischholzhausen, 29.\u201331. Oktober 2004<\/p>\n<p><strong>II. Rezensionen \/ Reviews<\/strong><br \/>\nThomas Wright \u00bbFats\u00ab Waller: Performances in Transcription, 1927\u20131943<\/p>\n<p><strong>III. Transkriptionen \/ Transcriptions<\/strong><br \/>\nDeconstructed \u2013\u00a0as Played by Chris Potter<br \/>\nRunning in The Family \u2013\u00a0as Played by Chris Potter<br \/>\nAll of You\u00a0(1) \u2013 as Played by George Coleman<br \/>\nAll of You\u00a0(2) \u2013 as Played by George Coleman<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I. Informationen \/ Information Spiritual &amp; Gospel, wei\u00df &amp; schwarz \u2013 neu betrachtet Tagungsbericht: \u00bbKeiner wird gewinnen: Popul\u00e4re Musik im Wettbewerb\u00ab. Schlo\u00df Rauischholzhausen, 29.\u201331. Oktober 2004 II. Rezensionen \/ Reviews Thomas Wright \u00bbFats\u00ab Waller: Performances in Transcription, 1927\u20131943 III. Transkriptionen \/ Transcriptions Deconstructed \u2013\u00a0as Played by Chris Potter Running in The Family \u2013\u00a0as Played by [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-825","post","type-post","status-publish","format-standard","hentry","category-jazz-research-news"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["de","en"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/825","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/comments?post=825"}],"version-history":[{"count":1,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/825\/revisions"}],"predecessor-version":[{"id":826,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/825\/revisions\/826"}],"wp:attachment":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/media?parent=825"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/categories?post=825"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/tags?post=825"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}