{"id":819,"date":"2004-03-29T12:12:31","date_gmt":"2004-03-29T10:12:31","guid":{"rendered":"https:\/\/jazzresearch.org\/?p=819"},"modified":"2019-03-29T12:13:09","modified_gmt":"2019-03-29T11:13:09","slug":"jazz-research-news-13-2004","status":"publish","type":"post","link":"https:\/\/jazzresearch.org\/en\/jazz-research-news\/jazz-research-news-13-2004\/","title":{"rendered":"Jazz Research News 13 (2004)"},"content":{"rendered":"<p><strong>I. Informationen \/ Information<\/strong><br \/>\nMichel Petruccianis \u00bbIn A Sentimental Mood\u00ab: Eine Analyse<br \/>\nRichie Beirachs \u00bbAll The Things You Are\u00ab: Eine Analyse<br \/>\nMonty Alexanders \u00bbYellow Bird\u00ab: Eine Analyse<\/p>\n<p><strong>II. Rezensionen \/ Reviews<\/strong><br \/>\nClifford Brown: The Life and Art of the Legendary Jazz Trumpeter<\/p>\n<p><strong>III. Transkriptionen \/ Transcriptions<\/strong><br \/>\nScufflin\u2019 \u2013\u00a0as Played by Bill de Arango<br \/>\nGroovin\u2019 High \u2013\u00a0as Played by Remo Palmieri<br \/>\nGroovin\u2019 High \u2013\u00a0as Played by the Dizzy Gillespie Sextet<br \/>\nBlue\u2019n Boogie \u2013\u00a0as Played by the Dizzy Gillespie Sextet<br \/>\nRed Cross \u2013\u00a0as Played by the Tiny Grimes Quintette<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I. Informationen \/ Information Michel Petruccianis \u00bbIn A Sentimental Mood\u00ab: Eine Analyse Richie Beirachs \u00bbAll The Things You Are\u00ab: Eine Analyse Monty Alexanders \u00bbYellow Bird\u00ab: Eine Analyse II. Rezensionen \/ Reviews Clifford Brown: The Life and Art of the Legendary Jazz Trumpeter III. Transkriptionen \/ Transcriptions Scufflin\u2019 \u2013\u00a0as Played by Bill de Arango Groovin\u2019 High [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-819","post","type-post","status-publish","format-standard","hentry","category-jazz-research-news"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["de","en"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/819","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/comments?post=819"}],"version-history":[{"count":1,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/819\/revisions"}],"predecessor-version":[{"id":820,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/819\/revisions\/820"}],"wp:attachment":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/media?parent=819"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/categories?post=819"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/tags?post=819"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}