{"id":805,"date":"2002-03-29T11:17:36","date_gmt":"2002-03-29T10:17:36","guid":{"rendered":"https:\/\/jazzresearch.org\/?p=805"},"modified":"2019-03-29T11:18:25","modified_gmt":"2019-03-29T10:18:25","slug":"jazz-research-news-9-2002","status":"publish","type":"post","link":"https:\/\/jazzresearch.org\/en\/jazz-research-news\/jazz-research-news-9-2002\/","title":{"rendered":"Jazz Research News 9 (2002)"},"content":{"rendered":"<p><strong>I. Informationen \/ Information<\/strong><br \/>\nJosef \u00bbJoe\u00ab Zawinul \u2013 Ehrenmitglied der Universit\u00e4t f\u00fcr Musik und darstellende Kunst Graz<br \/>\nJosef \u00bbJoe\u00ab Zawinul \u2013 Honorary Member of the Graz University of Music and Dramatic Arts<br \/>\nJoe Zawinul: Eine Biographie<br \/>\nJoe Zawinul: A Biography<\/p>\n<p><strong>II. Rezensionen \/ Reviews<\/strong><br \/>\nZawinul: Ein Leben aus Jazz<\/p>\n<p><strong>III. Transkriptionen \/ Transcriptions<\/strong><br \/>\nThree Postcards\u00a0\u2013 As Played by Joe Zawinul<br \/>\nFast City\u00a0\u2013 As Played by Joe Zawinul<br \/>\nPort of Entry\u00a0\u2013 As Played by Joe Zawinul And Jaco Pastorius<br \/>\nLusitanos\u00a0\u2013 As Played by Joe Zawinul And Al Johnson<br \/>\nCountry Preacher\u00a0\u2013 As Played by Joe Zawinul And Walter Booker<br \/>\nWalk Tall\u00a0\u2013 As Played by Joe Zawinul, Cannonball Adderley, Nat Adderley, And Victor Gaskin<br \/>\nScotch &amp; Water\u00a0\u2013 As Played by Joe Zawinul<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I. Informationen \/ Information Josef \u00bbJoe\u00ab Zawinul \u2013 Ehrenmitglied der Universit\u00e4t f\u00fcr Musik und darstellende Kunst Graz Josef \u00bbJoe\u00ab Zawinul \u2013 Honorary Member of the Graz University of Music and Dramatic Arts Joe Zawinul: Eine Biographie Joe Zawinul: A Biography II. Rezensionen \/ Reviews Zawinul: Ein Leben aus Jazz III. Transkriptionen \/ Transcriptions Three Postcards\u00a0\u2013 [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-805","post","type-post","status-publish","format-standard","hentry","category-jazz-research-news"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["de","en"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/805","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/comments?post=805"}],"version-history":[{"count":1,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/805\/revisions"}],"predecessor-version":[{"id":806,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/805\/revisions\/806"}],"wp:attachment":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/media?parent=805"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/categories?post=805"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/tags?post=805"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}