{"id":803,"date":"2002-03-29T11:16:30","date_gmt":"2002-03-29T10:16:30","guid":{"rendered":"https:\/\/jazzresearch.org\/?p=803"},"modified":"2019-03-29T11:17:19","modified_gmt":"2019-03-29T10:17:19","slug":"jazz-research-news-8-2002","status":"publish","type":"post","link":"https:\/\/jazzresearch.org\/en\/jazz-research-news\/jazz-research-news-8-2002\/","title":{"rendered":"Jazz Research News 8 (2002)"},"content":{"rendered":"<p><strong>I. Informationen \/ Information<\/strong><br \/>\nJazz Discographies on CD-ROM<\/p>\n<p><strong>II. Rezensionen \/ Reviews<\/strong><br \/>\nCharles Mingus. The Talking Bass<br \/>\nMyself When I am Real: The Life and Music of Charles Mingus<br \/>\nIl secolo di Louis Armstrong<\/p>\n<p><strong>III. Transkriptionen \/ Transcriptions<\/strong><br \/>\nNite Mist Blues\u00a0\u2013 As Played by Monty Alexander and John Clayton<br \/>\nTatum-Pole Boogie\u00a0\u2013 As Played by Art Tatum<br \/>\nOscar\u2019s Boogie\u00a0\u2013 As Played by Oscar Peterson<br \/>\nYancey\u2019s Bugle Call\u00a0(Take 1) \u2013 As Played by Jimmy Yancey<br \/>\nYancey\u2019s Bugle Call\u00a0(Take 2) \u2013 As Played by Jimmy Yancey<br \/>\nShuffle Boogie\u00a0\u2013 As Played by Pete Johnson<br \/>\nBoogie Woogie Blues\u00a0\u2013 As Played by Albert Ammons<br \/>\nYancey Special\u00a0\u2013 As Played by Meade Lux Lewis<br \/>\nNo. 29\u00a0\u2013 As Played by Wesley Wallace<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I. Informationen \/ Information Jazz Discographies on CD-ROM II. Rezensionen \/ Reviews Charles Mingus. The Talking Bass Myself When I am Real: The Life and Music of Charles Mingus Il secolo di Louis Armstrong III. Transkriptionen \/ Transcriptions Nite Mist Blues\u00a0\u2013 As Played by Monty Alexander and John Clayton Tatum-Pole Boogie\u00a0\u2013 As Played by Art [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-803","post","type-post","status-publish","format-standard","hentry","category-jazz-research-news"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["de","en"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/803","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/comments?post=803"}],"version-history":[{"count":1,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/803\/revisions"}],"predecessor-version":[{"id":804,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/803\/revisions\/804"}],"wp:attachment":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/media?parent=803"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/categories?post=803"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/tags?post=803"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}