{"id":801,"date":"2002-03-29T11:15:32","date_gmt":"2002-03-29T10:15:32","guid":{"rendered":"https:\/\/jazzresearch.org\/?p=801"},"modified":"2019-03-29T11:16:19","modified_gmt":"2019-03-29T10:16:19","slug":"jazz-research-news-7-2002","status":"publish","type":"post","link":"https:\/\/jazzresearch.org\/en\/jazz-research-news\/jazz-research-news-7-2002\/","title":{"rendered":"Jazz Research News 7 (2002)"},"content":{"rendered":"<p><strong>I. Informationen \/ Information<\/strong><br \/>\nPrevious Notice of the 6th Jazz-Scientific Congress 2003 in Graz<br \/>\nNew Volume of the Series \u00bbStudies in Jazz Research\u00ab<br \/>\n3Sat Jazzletter<br \/>\nMembership Fee<\/p>\n<p><strong>II. Rezensionen \/ Reviews<\/strong><br \/>\nAnnual Review of Jazz Studies: Volume 10, 1999<br \/>\nBoris Blacher, der Jazz-Komponist<\/p>\n<p><strong>III. Transkriptionen \/ Transcriptions<\/strong><br \/>\nYou\u2019re under Arrest\u00a0\u2013 As Played by Gary Thomas<br \/>\nJo-Jo\u00a0\u2013 As Played by the Miles Davis Group<br \/>\nYellow Bird\u00a0\u2013 As Played by Monty Alexander<br \/>\nYou\u2019re under Arrest\u00a0\u2013 As Played by the Miles Davis Group<br \/>\nYou\u2019re under Arrest\u00a0\u2013 As Played by Miles Davis<br \/>\nAll the Things You Are\u00a0\u2013 As Played by Paul Bley And Bob Cranshaw<br \/>\nWhen Will the Blues Leave\u00a0\u2013 As Played by Paul Bley<br \/>\nFarish Street Jive\u00a0\u2013 As Played by Little Brother Montgomery<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I. Informationen \/ Information Previous Notice of the 6th Jazz-Scientific Congress 2003 in Graz New Volume of the Series \u00bbStudies in Jazz Research\u00ab 3Sat Jazzletter Membership Fee II. Rezensionen \/ Reviews Annual Review of Jazz Studies: Volume 10, 1999 Boris Blacher, der Jazz-Komponist III. Transkriptionen \/ Transcriptions You\u2019re under Arrest\u00a0\u2013 As Played by Gary Thomas [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-801","post","type-post","status-publish","format-standard","hentry","category-jazz-research-news"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["de","en"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/801","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/comments?post=801"}],"version-history":[{"count":1,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/801\/revisions"}],"predecessor-version":[{"id":802,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/801\/revisions\/802"}],"wp:attachment":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/media?parent=801"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/categories?post=801"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/tags?post=801"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}