{"id":799,"date":"2002-03-29T11:14:37","date_gmt":"2002-03-29T10:14:37","guid":{"rendered":"https:\/\/jazzresearch.org\/?p=799"},"modified":"2019-03-29T11:15:22","modified_gmt":"2019-03-29T10:15:22","slug":"jazz-research-news-6-2002","status":"publish","type":"post","link":"https:\/\/jazzresearch.org\/en\/jazz-research-news\/jazz-research-news-6-2002\/","title":{"rendered":"Jazz Research News 6 (2002)"},"content":{"rendered":"<p><strong>I. Informationen \/ Information<\/strong><br \/>\n2001 Inter-American Conference on Black Music Research<\/p>\n<p><strong>II. Rezensionen \/ Reviews<\/strong><br \/>\nThe New Grove Dictionary of Jazz<br \/>\nTrumpet Blues: The Life of Harry James<\/p>\n<p><strong>III. Transkriptionen \/ Transcriptions<\/strong><br \/>\nBlues<br \/>\nBluesine<br \/>\nI Should Care<br \/>\nSoftly as in A Morning Sunrise<br \/>\nImagination<br \/>\nTwisted (Master Take)<br \/>\nTwisted (Alternate Take)<br \/>\nAfter Hour Blues<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I. Informationen \/ Information 2001 Inter-American Conference on Black Music Research II. Rezensionen \/ Reviews The New Grove Dictionary of Jazz Trumpet Blues: The Life of Harry James III. Transkriptionen \/ Transcriptions Blues Bluesine I Should Care Softly as in A Morning Sunrise Imagination Twisted (Master Take) Twisted (Alternate Take) After Hour Blues<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-799","post","type-post","status-publish","format-standard","hentry","category-jazz-research-news"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["de","en"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/799","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/comments?post=799"}],"version-history":[{"count":1,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/799\/revisions"}],"predecessor-version":[{"id":800,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/799\/revisions\/800"}],"wp:attachment":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/media?parent=799"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/categories?post=799"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/tags?post=799"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}