Aufs\u00e4tze\/Essays:<\/strong><\/p>\n Davis Evans<\/p>\n Folk, Commercial and Folkloristic Aesthetics in the Blues<\/p>\n Ekkehard Jost<\/p>\n Zum Problem des politischen Engagements im Jazz<\/p>\n Helmut G\u00fcnther<\/p>\n Tap Dance \u2013 Grundtechniken, Herkunft, Geschichte<\/p>\n William R. Ferris Jr.<\/p>\n Gut Bucket Blues: Sacred and Profane<\/p>\n Reimer von Essen\/ Mirjam Sohar<\/p>\n Die Geschichte des Jazz in Frankfurt<\/p>\n Gerhard Kubik<\/p>\n Helmut Hillegeist’s Bunk-Johnson-Transkriptionen, 1960\/61<\/p>\n Berichte und kleinere Beitr\u00e4ge\/Reports and small Contributions:<\/strong><\/p>\n Arthur Benseler<\/p>\n Beobachtungen zur Kwela-Musik<\/p>\n Roman Kowal<\/p>\n Few notes on the Symposia “Frontiers in Jazz Research”<\/p>\n Lubomir Doruzka<\/p>\n Am Beispiel Polen \u2013 Jazz Survival Pattern<\/p>\n Antonin Truhlar<\/p>\n Jazz im Osten Carl Gregor Herzog zu Mecklenburg<\/p>\n Progess Report of the Bibliograhical Section of the International Society of Jazz Research<\/p>\n Eugen Brixel<\/p>\n Louis Topic – 50 Jahre im Dienste des Jazz<\/p>\n Buchbesprechungen\/Book Reviews:<\/strong><\/p>\n William R. Ferris<\/p>\n Chris Albertson: Bessie New York 1972<\/p>\n Wolfgang Suppan<\/p>\n Walter C. Allen: Hendersonia Highland Park 1973<\/p>\n Franz Kerschbaumer<\/p>\n Louis Armstrong: A Self-Portrait, New York 1966<\/p>\n Antonin Truhlar<\/p>\n Alexey Bataschew: Sov\u00e9tskij Dzaz, Moskau 1973<\/p>\n Eugen Brixel<\/p>\n J. R. Baxter\/V. Polk: Gospel Song Writers Biography, Dallas 1971<\/p>\n Wolfgang Suppan<\/p>\n Joachim E. Berendt: Das Jazzbuch, Frankfurt 1973<\/p>\n Wolfgang Suppan<\/p>\n Siegfried Borris\/Egon Kraus (Hg.): Musik und Bildung (Zeitschrift)<\/p>\n Eugen Brixel<\/p>\n Jack V. Buerkle\/Danny Barker: Bourbon Street Black, New York 1973<\/p>\n Ekkehard Jost<\/p>\n Philippe Carles\/Jean-Louis Comolli: Free Jazz, Paris 1971<\/p>\n Albrecht Schneider<\/p>\n Tony Cash (Hg.): Anatomy of Pop, London 1970<\/p>\n Hartmut Braun<\/p>\n Enrico Cogno: Jazz inchiesta Italia, Bologna 1971<\/p>\n Ilse Storb<\/p>\n Nik Cohn: AWopBopaLooBop, Hamburg 1971<\/p>\n Dietrich Schulz-K\u00f6hn<\/p>\n Stanley Dance: The World of D. Ellington, New York 1970<\/p>\n Wolfgang Suppan<\/p>\n Avril Dankworth: Jazz, London 1968<\/p>\n Wolfgang Suppan<\/p>\n Dominique-Ren\u00e9 de Lerma (Hg.): Reflections on Afro-American Music, Kent 1973<\/p>\n Krzysztof Zagrodzki<\/p>\n Pete Fountain\/Bill Neely: A Closer Walk, Chicago 1972<\/p>\n Wolfgang Suppan<\/p>\n Charles Fox: The Jazz Scene, London 1972<\/p>\n Wolfgang Suppan<\/p>\n Frank Garlock: The Big Beat, Greenville 1971<\/p>\n David Evans<\/p>\n Richard M. Garvin\/Edmond G. Addeo: The Midnight Special, New York 1971<\/p>\n Wolfgang Suppan<\/p>\n Charlie Gillet: The Sound of the City, New York 1970<\/p>\n Alfons M. Dauer<\/p>\n Helmut G\u00fcnther\/Manfred Grimmer: Theorie und Praxis des Jazz-Dance, Stuttgart 1972<\/p>\n Dietrich Schulz-K\u00f6hn<\/p>\n W. C. Handy: Blues, New York 1972<\/p>\n J\u00fcrgen Dittmar<\/p>\n Siegmund Helms (Hg.): Schlager in Deutschland, Wiesbaden 1972<\/p>\n J\u00fcrgen Hunkem\u00f6ller<\/p>\n Carl Gregor Herzog zu Mecklenburg. Stilformen des Jazz I, Wien 1973<\/p>\n Carl Gregor Herzog zu Mecklenburg<\/p>\n Jean-Roland Hippenmeyer: Jazz sur Films, Yverdon 1973<\/p>\n Krzysztof Zagrodzki<\/p>\n Andr\u00e9 Hodeir: Les mondes du jazz, Paris 1970<\/p>\n Eugen Brixel<\/p>\n Raoul Hoffmann: Zwischen Galaxis & Underground, M\u00fcnchen 1971<\/p>\n Lubomir Doruzka<\/p>\n Ivan Horv\u00e1th\/Igor Wasserberger: Z\u00e1klady dzezovej interpret\u00e1cie, Bratislava 1972<\/p>\n Wolfgang Suppan<\/p>\n Bruce Jackson (Hg.): Wake up Dead Man, Cambridge 1972<\/p>\n Wolfgang Suppan<\/p>\n Josef Kotek: Prv\u00e1 setk\u00e1ni cesk\u00e9 hudby s jazzovymi idiomy (Die ersten Begegnungen Michael Fr\u00f6hlich<\/p>\n Rudolf Josel: Posaunen-Schule 3, Wien 1972<\/p>\n Rudolf Josel<\/p>\n Ed Kr\u00f6ger: Die Posaune im Jazz, Wien 1972<\/p>\n Wolfgang Suppan<\/p>\n Dave Laing: Buddy Holly, London 1971<\/p>\n J\u00fcrgen Hunkem\u00f6ller<\/p>\n Edward Lee: Jazz, London 1972<\/p>\n Carl Gregor Herzog zu Mecklenburg<\/p>\n Reese Markewich: Jazz Publicity, Riverdale 1973<\/p>\n Wolfgang Suppan<\/p>\n Albert McCarthy\/Alun Morgan\/Paul Oliver\/Max Harrison: Jazz on Record, London 1968<\/p>\n Wolfgang Suppan<\/p>\n Alan P. Merriam: African Music on LP, Evanston 1973<\/p>\n Antonin Truhl\u00e1r<\/p>\n Francis Newton: The Jazz Scene, Prag 1973 Carl Gregor Herzog zu Mecklenburg<\/p>\n Joel Rothman: Schlagzeugschulen, New York 1961\u201373<\/p>\n Hans Preininger<\/p>\n Joel Rothman: The Compleat Rock Drummer, New York 1973<\/p>\n Wolfgang Suppan<\/p>\n Brian Rust\/Allen G. Debus: The complete Entertainment Discography, New Rochelle 1973<\/p>\n Ernest Bornemann<\/p>\n Helmut Salzinger: Rock Power, Frankfurt 1972<\/p>\n Wolfgang Suppan<\/p>\n Siegfried Schmidt-Joos\/Barry Graves\/Bernie Sigg: Rock Lexikon, Hamburg 1973<\/p>\n Lubomir Doruzka<\/p>\n Pete Seeger: The Incompleat Folksinger, New York 1972<\/p>\n Thomas Schwengler<\/p>\n Jerry Silverman: Folk Blues, New York 1958<\/p>\n Antonin Truhlar<\/p>\n Mateusz Smiecicki: Jazz-Ryhtm XX Wieku, Warschau 1972<\/p>\n Wolfgang Suppan<\/p>\n Rudolf Stephan (Hg.): \u00dcber Musik und Politik, Mainz 1971<\/p>\n Wolfgang Suppan<\/p>\n Rudolf Stephan (Hg.): Die Musik der sechziger Jahre, Mainz 1972<\/p>\n Wolfgang Suppan<\/p>\n Milton Lee Stewart: Structural Developement in the Jazz Improvisational Technique Manfred Straka<\/p>\n Rex Stewart: Jazz Masters of the 30’s, New York 1972<\/p>\n Wolfgang Suppan<\/p>\n Free Jazz Negation \u00e4sthetischer Kategorien \u2013 R\u00fcckkehr zur funktionalen Musik, in: Ernest Bornemann<\/p>\n John F. Szwed: Black America, New York 1970<\/p>\n Lubomir Doruzka<\/p>\n Jacques Vassal: Folksong, Paris 1971<\/p>\n Ernest Bornemann<\/p>\n Dicky Wells\/Stanley Dance\/Count Basie: The Night People, Boston 1971<\/p>\n Dietrich Schulz-K\u00f6hn<\/p>\n Alec Wilder: American Popular Song, New York 1972<\/p>\n Albrecht Schneider<\/p>\n Graham Wood: An A – Z of Rock and Roll, London 1971<\/p>\n","protected":false},"excerpt":{"rendered":" Inhalt\/Contents: Aufs\u00e4tze\/Essays: Davis Evans Folk, Commercial and Folkloristic Aesthetics in the Blues Ekkehard Jost Zum Problem des politischen Engagements im Jazz Helmut G\u00fcnther Tap Dance \u2013 Grundtechniken, Herkunft, Geschichte William R. Ferris Jr. Gut Bucket Blues: Sacred and Profane Reimer von Essen\/ Mirjam Sohar Die Geschichte des Jazz in Frankfurt Gerhard Kubik Helmut Hillegeist’s Bunk-Johnson-Transkriptionen, […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-795","post","type-post","status-publish","format-standard","hentry","category-jazz-research-news"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["de","en"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/795","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/comments?post=795"}],"version-history":[{"count":3,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/795\/revisions"}],"predecessor-version":[{"id":798,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/795\/revisions\/798"}],"wp:attachment":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/media?parent=795"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/categories?post=795"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/tags?post=795"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\na) Jazz in der DDR
\nb) Amateurjazz in der CSSR
\nc) Jazz-Szene der UdSSR<\/p>\n
\nder tschechischen Musik mit Jazzidiomen) in: Hudebni veda IX, 1972 S. 321-343<\/p>\n
\nJames Patrik: The Uses of Jazz Discography in: Notes 29, 1972, S. 17-23<\/p>\n
\nof Cliffort Brown, Phil. Diss. University of Michigan 1972<\/p>\n
\nMusikerziehung 26, Wien 1972\/73, S. 206\u2013208<\/p>\n