Aufs\u00e4tze\/Essays:<\/strong><\/p>\n Josef Kotek<\/strong><\/p>\n Eine Generation im Banne des Jazz<\/p>\n Ernest Ernest Borneman<\/strong><\/p>\n Black Light and White Shadow<\/p>\n J\u00fcrgen Hunkem\u00f6ller<\/strong><\/p>\n Analytische Untersuchungen zur Kontinuit\u00e4t des Big-Band-Jazz<\/p>\n Ekkehard Jost<\/strong><\/p>\n Zur Musik Ornette Colemans<\/p>\n Berichte und kleine Beitr\u00e4ge\/Reports and small Contributions:<\/strong><\/p>\n Lubomir Doruzka<\/strong><\/p>\n Jazz in der Tschechoslowakei<\/p>\n Carl Gregor Herzog zu Mecklenburg<\/strong><\/p>\n Gedanken zur Jazzbibliographie<\/p>\n Wolfgang Laade<\/strong><\/p>\n “Globe Unity” \u2013 “Jazz Meets the World”<\/p>\n Ekkehard Jost<\/strong><\/p>\n Subjektive Betrachtungen zu den Berliner Jazztagen 1970<\/p>\n Joe Viera<\/strong><\/p>\n Jazzlabor der P\u00e4dagogischen Hochschule Ruhr<\/p>\n Erich Kleinschuster<\/strong><\/p>\n Funktionsbericht des Instituts f\u00fcr Jazz am Konservatorium der Stadt Wien<\/p>\n Ilpo Saunio<\/strong><\/p>\n Jazz education in Finland<\/p>\n Joe Viera<\/strong><\/p>\n Das Education Center der Europ\u00e4ischen Jazzf\u00f6deration<\/p>\n Buchbesprechungen\/Book Reviews:<\/strong><\/p>\n Wolfgang Suppan<\/strong><\/p>\n Musikkens Hvem \u2013 Hvad \u2013 Hvor: Jazz Kopenhagen 1969<\/p>\n Alfons M. Dauer<\/strong><\/p>\n Claus Schreiner (Hg.): Jazz Aktuell, Mainz 1968<\/p>\n Klaus Schreiber<\/strong><\/p>\n Derek Langridge: Your Jazz Collection, London 1970<\/p>\n Carl Gregor Herzog zu Mecklenburg<\/strong><\/p>\n Martin Williams: Where’s the Melody?, New York 1969<\/p>\n Krzysztof Zagrodzki<\/strong><\/p>\n Martin Williams: The Jazz Tradition, New York 1970<\/p>\n Gerhard Kubik<\/strong><\/p>\n Paul Oliver: Savannah Syncopators, London 1970<\/p>\n Wolfgang Suppan<\/strong><\/p>\n Harry Oster: Living Country Blues, Detroit 1969<\/p>\n Ernest Bornemann<\/strong><\/p>\n Charles Keil: Urban Blues, Chicago\/London 1969<\/p>\n Dietrich Schulz-K\u00f6hn<\/strong><\/p>\n Stephen Longstreet: Das war New Orleans, Frankfurt a. M. 1969<\/p>\n Ernest Bornemann<\/strong><\/p>\n Mahalia Jackson: Geschichte ihres Lebens, Z\u00fcrich 1970<\/p>\n Alfons M. Dauer<\/strong><\/p>\n Neil Leonard: Jazz and the White Americans, Chicago 1970<\/p>\n Krzysztof Zagrodzki<\/strong><\/p>\n Max Jones\/John Chilton\/Leonard Feather: Salute to Satchmo, London 1970<\/p>\n Wolfgang Suppan<\/strong><\/p>\n D. Russel Connor\/Warren W. Hicks: B G on Record, New Rochelle 1969<\/p>\n Dieter Glawischnig<\/strong><\/p>\n William Russo: Composing for the Jazz Orchestra, Chicago\/London 1969<\/p>\n Dieter Glawischnig<\/strong><\/p>\n Joe Viera: Grundlagen der Jazzharmonik, Wien 1970<\/p>\n Carl Gregor Herzog zu Mecklenburg<\/strong><\/p>\n Joe Viera: Grundlagen der Jazzrhythmik, Wien 1970<\/p>\n Carl Gregor Herzog zu Mecklenburg<\/strong><\/p>\n Unterrichtswerke f\u00fcr Schlagzeug (Sammelrezension), Nr. 1\u201318<\/p>\n Carl Gregor Herzog zu Mecklenburg<\/strong><\/p>\n Alfred A. Goodman: Musik im Blut, M\u00fcnchen 1968<\/p>\n Wiegand Stief<\/strong><\/p>\n Edward Lee: Music of the People, London 1970<\/p>\n Wolfgang Suppan<\/strong><\/p>\n Dietrich Schulz-K\u00f6hn: Vive la Chanson, G\u00fctersloh 1969<\/p>\n Wolfgang Sandner<\/strong><\/p>\n Dieter Baacke: Beat \u2013 die sprachlose Opposition, M\u00fcnchen 1970<\/p>\n Wolfgang Suppan<\/strong><\/p>\n Konrad Boehmer: Zwischen Reihe und Pop, Wien\/M\u00fcnchen 1970<\/p>\n Wolfgang Suppan<\/strong><\/p>\n Horst Menzel: Jugend und Reizmusik, Frankfurt a. M. 1969<\/p>\n","protected":false},"excerpt":{"rendered":" Inhalt\/Contents: Aufs\u00e4tze\/Essays: Josef Kotek Eine Generation im Banne des Jazz Ernest Ernest Borneman Black Light and White Shadow J\u00fcrgen Hunkem\u00f6ller Analytische Untersuchungen zur Kontinuit\u00e4t des Big-Band-Jazz Ekkehard Jost Zur Musik Ornette Colemans Berichte und kleine Beitr\u00e4ge\/Reports and small Contributions: Lubomir Doruzka Jazz in der Tschechoslowakei Carl Gregor Herzog zu Mecklenburg Gedanken zur Jazzbibliographie Wolfgang Laade […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-789","post","type-post","status-publish","format-standard","hentry","category-jazz-research-news"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["de","en"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/789","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/comments?post=789"}],"version-history":[{"count":1,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/789\/revisions"}],"predecessor-version":[{"id":790,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/789\/revisions\/790"}],"wp:attachment":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/media?parent=789"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/categories?post=789"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/tags?post=789"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}