{"id":553,"date":"2019-03-25T16:32:02","date_gmt":"2019-03-25T15:32:02","guid":{"rendered":"https:\/\/jazzresearch.org\/?p=553"},"modified":"2020-09-03T11:52:31","modified_gmt":"2020-09-03T09:52:31","slug":"11-04-19-14-04-19-6th-rhythm-changes-conference-jazz-journeys","status":"publish","type":"post","link":"https:\/\/jazzresearch.org\/en\/archiv\/11-04-19-14-04-19-6th-rhythm-changes-conference-jazz-journeys\/","title":{"rendered":"11.04.19 &#8211; 14.04.19 6th Rhythm Changes Conference Jazz Journeys"},"content":{"rendered":"<p>Keynote Speakers: Jason STANYEK (Oxford), Marie BUSCATTO (Paris) | Closing Address: Alan STANBRIDGE (Toronto) | Kongressleitung: Christa BRUCKNER-HARING<\/p>\n<p><a href=\"https:\/\/jazzresearch.org\/rhythm-changes-conference-2019-graz\/\">Anmeldung und Information<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Keynote Speakers: Jason STANYEK (Oxford), Marie BUSCATTO (Paris) | Closing Address: Alan STANBRIDGE (Toronto) | Kongressleitung: Christa BRUCKNER-HARING Anmeldung und Information<\/p>\n","protected":false},"author":3,"featured_media":432,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13],"tags":[],"class_list":["post-553","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-archiv"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["de","en"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/553","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/comments?post=553"}],"version-history":[{"count":2,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/553\/revisions"}],"predecessor-version":[{"id":1482,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/553\/revisions\/1482"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/media\/432"}],"wp:attachment":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/media?parent=553"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/categories?post=553"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/tags?post=553"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}