{"id":351,"date":"2001-03-18T11:22:48","date_gmt":"2001-03-18T10:22:48","guid":{"rendered":"https:\/\/jazzresearch.org\/?p=351"},"modified":"2019-03-29T12:36:09","modified_gmt":"2019-03-29T11:36:09","slug":"jazzforschung-33-2001","status":"publish","type":"post","link":"https:\/\/jazzresearch.org\/en\/jazz-research\/jazzforschung-33-2001\/","title":{"rendered":"Jazzforschung \/ Jazz Research 33 (2001)"},"content":{"rendered":"<p><strong><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-353\" src=\"https:\/\/jazzresearch.org\/wp-content\/uploads\/2019\/03\/Titelblatt_JF_33_2001.jpg\" alt=\"\" width=\"128\" height=\"181\" \/> Inhalt\/Contents:<\/strong><\/p>\n<p>Matthew Kiroff<br \/>\n&#8220;Caseworks&#8221; as Performed by Cecil Taylor And The Art Ensemble<br \/>\nof Chicago: A Musical Analysis<\/p>\n<p>Franz Kerschbaumer<br \/>\nZur Entstehung des Swing-Begleitrhythmus&#8217; in der Folk Music, in der<br \/>\nmodernen Popularmusik und im Jazz<\/p>\n<p>Elisabeth Kolleritsch<br \/>\nErich Kleinschuster: Posaunist, Bandleader, P\u00e4dagoge<\/p>\n<p>Frank Murphy<br \/>\nVariations on A Jazz Theme: Stephane Grappelli And The Hot Club Quintet<\/p>\n<p>Frank Murphy<br \/>\nThe Improvisations of Red Nichols on The Five Pennies Recordings (1926-1929)<\/p>\n<p>Bode Omojola<br \/>\nHistory And Social Identity in Yoruba Popular Music<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Inhalt\/Contents: Matthew Kiroff &#8220;Caseworks&#8221; as Performed by Cecil Taylor And The Art Ensemble of Chicago: A Musical Analysis Franz Kerschbaumer Zur Entstehung des Swing-Begleitrhythmus&#8217; in der Folk Music, in der modernen Popularmusik und im Jazz Elisabeth Kolleritsch Erich Kleinschuster: Posaunist, Bandleader, P\u00e4dagoge Frank Murphy Variations on A Jazz Theme: Stephane Grappelli And The Hot Club [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-351","post","type-post","status-publish","format-standard","hentry","category-jazz-research"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["de","en"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/351","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/comments?post=351"}],"version-history":[{"count":4,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/351\/revisions"}],"predecessor-version":[{"id":870,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/351\/revisions\/870"}],"wp:attachment":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/media?parent=351"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/categories?post=351"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/tags?post=351"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}