{"id":344,"date":"1999-03-18T11:13:15","date_gmt":"1999-03-18T10:13:15","guid":{"rendered":"https:\/\/jazzresearch.org\/?p=344"},"modified":"2019-03-29T12:36:22","modified_gmt":"2019-03-29T11:36:22","slug":"jazzforschung-31-1999","status":"publish","type":"post","link":"https:\/\/jazzresearch.org\/en\/jazz-research\/jazzforschung-31-1999\/","title":{"rendered":"Jazzforschung \/ Jazz Research 31 (1999)"},"content":{"rendered":"<p class=\"bodytext\"><strong>Jazz Analyse<\/strong><br \/>\n<strong>Lectures of the 5th Musicological Congress<\/strong><\/p>\n<p class=\"bodytext\"><strong>Inhalt\/Contents:<\/strong><\/p>\n<p class=\"bodytext\">Jost, Ekkehard<br \/>\n\u00dcber einige Probleme jazzmusikalischer Analyse<\/p>\n<p class=\"bodytext\">J\u00fcrgen Hunkem\u00f6ller<br \/>\nJazz-Analyse \u2013 Mehrdimensionalit\u00e4t und sinnliche Erfahrung<\/p>\n<p class=\"bodytext\">Wolfram Knauer<br \/>\nDer Analytiker-Blues. Anmerkungen zu Entwicklung und Dilemma<br \/>\nder Jazzanalyse von den 30er Jahren bis heute<\/p>\n<p class=\"bodytext\">Herbert Hellhund<br \/>\nJazz-Analyse: Ein Pl\u00e4doyer f\u00fcr mehr als das blo\u00dfe Zergliedern<\/p>\n<p class=\"bodytext\">Tor Dybo<br \/>\nAnalyzing Interaction during Jazz Improvisation<\/p>\n<p class=\"bodytext\">Franz Kerschbaumer<br \/>\nImpressionistische Strukturen im Jazz<\/p>\n<p class=\"bodytext\">Thomas Owens<br \/>\nBird&#8217;s Childrn and Grandchildren: The Spread of Charlie Parker&#8217;s<br \/>\nMusical Language<\/p>\n<p class=\"bodytext\">Manfred Straka<br \/>\nUntersuchungen zu Kompositionen von Thelonious Monk<\/p>\n<p class=\"bodytext\">Franz Krieger<br \/>\n<i> I Got Rhyhtm?<\/i> Walter Norris und die Kunst der irritierenden Akzentuierung<\/p>\n<p class=\"bodytext\">Wolfgang Tozzi<br \/>\nKubanische Ryhthmen im Jazz<\/p>\n<p class=\"bodytext\">Heinz Czadek<br \/>\nDer diskrete Charme der Irritation<\/p>\n<p class=\"bodytext\">Bernd Hoffmann<br \/>\nSolistisches Improvisieren im kompositorischen Bezugsrahmen der Big<br \/>\nBand \u2013 Anmerkungen zu Solisten und Werken der WDR Big Band K\u00f6ln<\/p>\n<p class=\"bodytext\">Hermann Rauhe<br \/>\nJazz h\u00e4lt jung und gesund: Interdisziplin\u00e4re Ans\u00e4tze einer therapeu-<br \/>\ntischen und pr\u00e4ventiven Wirkungsanalyse des Jazz<\/p>\n<p class=\"bodytext\">Wofgang Suppan<br \/>\n&#8220;Jazz-Kompositionen&#8221; f\u00fcr symphonisches Blasorchester und Bl\u00e4ser-<br \/>\nensembles<\/p>\n<p class=\"bodytext\">Alfons Michael Dauer<br \/>\nNeue Gedanken zur alten Gospelgeschichte<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jazz Analyse Lectures of the 5th Musicological Congress Inhalt\/Contents: Jost, Ekkehard \u00dcber einige Probleme jazzmusikalischer Analyse J\u00fcrgen Hunkem\u00f6ller Jazz-Analyse \u2013 Mehrdimensionalit\u00e4t und sinnliche Erfahrung Wolfram Knauer Der Analytiker-Blues. Anmerkungen zu Entwicklung und Dilemma der Jazzanalyse von den 30er Jahren bis heute Herbert Hellhund Jazz-Analyse: Ein Pl\u00e4doyer f\u00fcr mehr als das blo\u00dfe Zergliedern Tor Dybo Analyzing [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-344","post","type-post","status-publish","format-standard","hentry","category-jazz-research"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["de","en"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/344","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/comments?post=344"}],"version-history":[{"count":4,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/344\/revisions"}],"predecessor-version":[{"id":872,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/344\/revisions\/872"}],"wp:attachment":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/media?parent=344"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/categories?post=344"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/tags?post=344"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}