{"id":341,"date":"1998-03-18T11:11:56","date_gmt":"1998-03-18T10:11:56","guid":{"rendered":"https:\/\/jazzresearch.org\/?p=341"},"modified":"2019-03-29T12:36:27","modified_gmt":"2019-03-29T11:36:27","slug":"jazzforschung-30-1998","status":"publish","type":"post","link":"https:\/\/jazzresearch.org\/en\/jazz-research\/jazzforschung-30-1998\/","title":{"rendered":"Jazzforschung \/ Jazz Research 30 (1998)"},"content":{"rendered":"<p><strong>Zum Thema Rap-Music<\/strong><br \/>\n<strong>Herbie Hancock bei Miles Davis<\/strong><br \/>\n<strong>St\u00e9phane Grappelli with the Hot Club Quintet<\/strong><br \/>\n<strong>Early Recordings of &#8220;Red&#8221; Nichols<\/strong><br \/>\n<strong>Verbreitung und Nachahmung Afro-amerikanischer Musik in \u00d6sterreich um 1900<\/strong><\/p>\n<p><strong>Inhalt\/Contents:<\/strong><\/p>\n<p>Christoph Bu\u00df<br \/>\n21st Century Blues&#8230; From Da &#8216;Hood. Aspekte zum Thema Rap-Music<\/p>\n<p>Franz Krieger<br \/>\nHerbie Hancock in seiner Zeit bei Miles Davis: Transkription und Analyse<br \/>\nausgew\u00e4hlter &#8220;My funny Valentine&#8221;-Soli<\/p>\n<p>Frank Murphy<br \/>\nSt\u00e9phane Grappelli&#8217;s Recordings of &#8220;Oh, Lady Be Good!&#8221; With The Hot<br \/>\nClub Quintet (1934 And 1948)<\/p>\n<p>Frank Murphy<br \/>\nThematic Metamorphosis in The Early Recordings of Ernest Loring &#8220;Red&#8221;<br \/>\nNichols (1905-1965)<\/p>\n<p>Ingeborg Harer<br \/>\n&#8220;Lustige Neger&#8221;. Verbreitung und Nachahmung der Musik der Afro-Amerikaner<br \/>\nin \u00d6sterreich um 1900<\/p>\n<p><strong>Buchbesprechungen\/Book Reviews:<\/strong><\/p>\n<p>Franz Krieger<br \/>\nPhilip R. Evans: The Red Nichols Story After Intermission 1942-1965<\/p>\n<p>Krieger, Franz<br \/>\nLarry Fisher: Miles Davis And David Liebman Jazz Connections<\/p>\n<p>Franz Krieger<br \/>\nColin Larkin: The Virgin Encyclopedia Of Popular Music<\/p>\n<p>Franz Krieger<br \/>\nDave McAleer: Encyclopedia Of Hits. The 1950s<\/p>\n<p>Franz Krieger<br \/>\nThomas Owens: Bebop The Music and Ist Players<\/p>\n<p>Franz Krieger<br \/>\nJ\u00fcrgen Schwab: Die Gitarre im Jazz. Zur stilistischen Entwicklung von den<br \/>\nAnf\u00e4ngen bis 1960<\/p>\n<p>Franz Krieger<br \/>\nBob Stoloff: Scat! Vocal Improvisation Techniques<\/p>\n<p>Andr\u00e9 J. M. Pr\u00e9vos<br \/>\nRobert Sacr\u00e9: Musiques cajun, cr\u00e9ole et zydeco<\/p>\n<p>Michael R\u00fcsenberg<br \/>\nBernd Hoffmann und Helmut R\u00f6sig (Hg.): Und der Jazz ist nicht von Dauer \u2013<br \/>\nAspekte afro-amerikanischer Musik. Festschrift f\u00fcr Prof. Alfons Michael Dauer<\/p>\n<p>Wolfgang Tozzi<br \/>\nAndreas Meyer: Afrikanische Trommeln \u2013 West- und Zentralafrika<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Zum Thema Rap-Music Herbie Hancock bei Miles Davis St\u00e9phane Grappelli with the Hot Club Quintet Early Recordings of &#8220;Red&#8221; Nichols Verbreitung und Nachahmung Afro-amerikanischer Musik in \u00d6sterreich um 1900 Inhalt\/Contents: Christoph Bu\u00df 21st Century Blues&#8230; From Da &#8216;Hood. Aspekte zum Thema Rap-Music Franz Krieger Herbie Hancock in seiner Zeit bei Miles Davis: Transkription und Analyse [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-341","post","type-post","status-publish","format-standard","hentry","category-jazz-research"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["de","en"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/341","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/comments?post=341"}],"version-history":[{"count":4,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/341\/revisions"}],"predecessor-version":[{"id":873,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/341\/revisions\/873"}],"wp:attachment":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/media?parent=341"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/categories?post=341"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/tags?post=341"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}