{"id":337,"date":"1997-03-18T11:10:31","date_gmt":"1997-03-18T10:10:31","guid":{"rendered":"https:\/\/jazzresearch.org\/?p=337"},"modified":"2019-03-29T12:36:33","modified_gmt":"2019-03-29T11:36:33","slug":"jazzforschung-29-1997","status":"publish","type":"post","link":"https:\/\/jazzresearch.org\/en\/jazz-research\/jazzforschung-29-1997\/","title":{"rendered":"Jazzforschung \/ Jazz Research 29 (1997)"},"content":{"rendered":"

Wynton Marsalis<\/strong>
\nRhythmisch-metrische Strukturen<\/strong><\/p>\n

Art Ensemble of Chicago<\/strong>
\nImprovisationsstil eines Musikerkollektivs<\/strong><\/p>\n

Charlie Christian<\/strong>
\nThe Role of Formulas<\/strong><\/p>\n

Inhaltsverzeichnis\/Contents:<\/strong><\/p>\n

Aufs\u00e4tze\/Essays:<\/strong><\/p>\n

G\u00fcnther Huesmann
\nRhythmisch-metrische Strukturen in der Musik von Wynton Marsalis<\/p>\n

Martin Pfleiderer
\nDas Art Ensemble of Chicago in Paris, Sommer 1969. Ann\u00e4herungen
\nan den Improvisationsstiel eines Musikerkollektivs<\/p>\n

Jonathan Finkelman
\nCharlie Christian and the Role of Formulas in Jazz Improvisation<\/p>\n

Berichte und kleine Beitr\u00e4ge\/Reports and Small Contributions:<\/strong><\/p>\n

Franz Krieger
\nSound Carrier Collections in Germany. A Selection of Publicly
\nAccessible Archives<\/p>\n

Buchbesprechungen\/Book Reviews:<\/strong><\/p>\n

Alfons Michael Dauer
\nRainer E. Lotz: Black People Entertainers of African Descent in Europe
\nand Germany<\/p>\n

Elisabeth Kolleritsch
\nKrin Gabbard: Jammin’ at The Margins. Jazz and the American Cinema<\/p>\n

Franz Krieger
\nJohs Bergh und Jan Evensmo: Jazz Tenor Saxophone in Norway.
\n1917\u20131959<\/p>\n

Franz Krieger
\nYasuhiro Fujioka, Lewis Porter und Yoh-Ichi Hamada: John Coltrane.
\nA Discography and Musical Biography<\/p>\n

Franz Krieger
\nWilliam P. Gottlieb: The Golden Age of Jazz<\/p>\n

Franz Krieger
\nSteve Lacy: Findings. My Experience With Soprano Saxophone<\/p>\n

Franz Krieger
\nMike Leadbitter, Leslie Fancourt und Paul Pelletier: Blues Records
\n1943\u20131970. “The Bible of The Blues”. Volume Two. L to Z<\/p>\n

Franz Krieger
\nMark Levine: Das Jazz Theorie Buch<\/p>\n

Franz Krieger
\nHenry Martin: Charlie Parker And Thematic Improvisation<\/p>\n

Franz Krieger
\nIlse Storb und Klaus-Gotthard Fischer: Dave Brubeck Improvisations
\nAnd Compositions. The Idea of Cultural Exchange<\/p>\n

Franz Krieger
\nKlaus Teubig: Straighten Up And Fly Right. A Chronology And Disco-
\ngraphy of Nat “King” Cole<\/p>\n

Franz Krieger
\nRichard Williams: Die Legenden des Jazz. Eine Hommage in Bildern<\/p>\n

Manfred Straka
\nCarl Woideck: Charlie Parker \u2013 His Music and Life<\/p>\n","protected":false},"excerpt":{"rendered":"

Wynton Marsalis Rhythmisch-metrische Strukturen Art Ensemble of Chicago Improvisationsstil eines Musikerkollektivs Charlie Christian The Role of Formulas Inhaltsverzeichnis\/Contents: Aufs\u00e4tze\/Essays: G\u00fcnther Huesmann Rhythmisch-metrische Strukturen in der Musik von Wynton Marsalis Martin Pfleiderer Das Art Ensemble of Chicago in Paris, Sommer 1969. Ann\u00e4herungen an den Improvisationsstiel eines Musikerkollektivs Jonathan Finkelman Charlie Christian and the Role of Formulas […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-337","post","type-post","status-publish","format-standard","hentry","category-jazz-research"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["de","en"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/337","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/comments?post=337"}],"version-history":[{"count":5,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/337\/revisions"}],"predecessor-version":[{"id":874,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/337\/revisions\/874"}],"wp:attachment":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/media?parent=337"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/categories?post=337"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/tags?post=337"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}