{"id":334,"date":"1996-03-18T11:09:24","date_gmt":"1996-03-18T10:09:24","guid":{"rendered":"https:\/\/jazzresearch.org\/?p=334"},"modified":"2019-03-29T12:36:39","modified_gmt":"2019-03-29T11:36:39","slug":"jazzforschung-28-1996","status":"publish","type":"post","link":"https:\/\/jazzresearch.org\/en\/jazz-research\/jazzforschung-28-1996\/","title":{"rendered":"Jazzforschung \/ Jazz Research 28 (1996)"},"content":{"rendered":"

Friedrich K\u00f6rner<\/strong>
\nFestschrift zum 65. Geburtstag<\/strong><\/p>\n

Inhalt\/Contents:<\/strong><\/p>\n

Manfred Straka
\nClifford Brown und sein Solo \u00fcber “Jordu”<\/p>\n

Franz Kerschbaumer
\nThe Roots and the Developement of Fusion in The Music of Miles Davis<\/p>\n

Franz Krieger
\n“Tunisias Blues”. Anmerkungen zum Trompetenspiel von Arturo Sandoval<\/p>\n

Wolfgang Suppan
\nBegin The Beguine \u2013 mit Artie Shaw begann es<\/p>\n

Ilse Storb
\n“The Duke meets Darius Milhaud And Arnold Sch\u00f6nberg
\n(Dave Brubec and his Teachers)<\/p>\n

Dieter Glawischnig
\nThe Present Boom in Jazz Education \u2013 A Trap for Creativity?<\/p>\n

Hermann Rauhe
\nJazz in der Lebenshilfe. Therapie und Pr\u00e4vention \u2013 ein Beitrag zur
\nmusikalischen Wirkungsforschung<\/p>\n

Johann Trummer
\n“Jazz” in der Kirche<\/p>\n

Ingeborg Harer
\nRagtime als Spielpraxis<\/p>\n

Wolfgang Tozzi
\nRhythm Concepts in Afro-Cuban Music<\/p>\n

Franz F\u00f6dermayr
\nZur Jodeltechnik von Jimmie Rodgers: ein seltener Jodeltyp<\/p>\n

Manfred Wagner
\nMulitkulturalit\u00e4t in unserer Gesellschaft<\/p>\n

Hellmut Federhofer
\nUnbekannte Drucke und Handschriften mit Instrumentalmusik aus
\nder Mitte und zweiten H\u00e4lfte des 18. Jahrhunderts<\/p>\n

Eugen Brixel
\nDer Grazer Musikverlag Stanberg. Von der Ersten zur Zweiten Republik:
\nGrazer Verlagsaktivit\u00e4ten im Dienste der (steirischen) Popularmusik<\/p>\n","protected":false},"excerpt":{"rendered":"

Friedrich K\u00f6rner Festschrift zum 65. Geburtstag Inhalt\/Contents: Manfred Straka Clifford Brown und sein Solo \u00fcber “Jordu” Franz Kerschbaumer The Roots and the Developement of Fusion in The Music of Miles Davis Franz Krieger “Tunisias Blues”. Anmerkungen zum Trompetenspiel von Arturo Sandoval Wolfgang Suppan Begin The Beguine \u2013 mit Artie Shaw begann es Ilse Storb “The […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-334","post","type-post","status-publish","format-standard","hentry","category-jazz-research"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["de","en"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/334","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/comments?post=334"}],"version-history":[{"count":4,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/334\/revisions"}],"predecessor-version":[{"id":875,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/334\/revisions\/875"}],"wp:attachment":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/media?parent=334"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/categories?post=334"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/tags?post=334"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}