{"id":328,"date":"1994-03-18T11:06:58","date_gmt":"1994-03-18T10:06:58","guid":{"rendered":"https:\/\/jazzresearch.org\/?p=328"},"modified":"2019-03-29T12:36:59","modified_gmt":"2019-03-29T11:36:59","slug":"jazzforschung-26-1994","status":"publish","type":"post","link":"https:\/\/jazzresearch.org\/en\/jazz-research\/jazzforschung-26-1994\/","title":{"rendered":"Jazzforschung \/ Jazz Research 26 (1994)"},"content":{"rendered":"

Analytical Models of Jazz Improvisation<\/strong>
\nPeter Herbolzheimer<\/strong>
\nForce, Mass and Acceleration in Oscar Peterson<\/strong>
\nSt\u00e9phane Grappelli<\/strong>
\nLeroy “Snake” Whyte \u2013 A Blue Devil<\/strong><\/p>\n

Inhalt\/Contents:<\/strong><\/p>\n

Aufs\u00e4tze\/Essays:<\/strong><\/p>\n

John Brownell
\nAnalytical Models of Jazz Improvisation<\/p>\n

Karl Hemgesberg
\nPeter Herbholzheimer Rhythm Combination & Brass. Entwicklungstendenzen
\nim Jazzrock 1970 bis ’77<\/p>\n

Mark Haywood
\nForce, Mass and Acceleration in Oscar Peterson<\/p>\n

Frank Murphy
\nLiebestraum Cast in A Transatlantik Mould. Liszt and The Hot Club Quintet<\/p>\n

Hanno Gr\u00e4\u00dfer
\nSt\u00e9phane Grappellis Violintechnik. Transkription und Analyse einer Video-
\naufzeichnung<\/p>\n

Douglas H. Daniels
\nJazz Tradition, Religious Heritage, And the Transformation of A Blue Devil \u2013
\nLeroy “Snake” Whyte<\/p>\n

Berichte und kleine Beitr\u00e4ge\/Reports and Small Contriubions<\/strong><\/p>\n

Matthew Hayes
\nThe American Music Collection at Exeter University<\/p>\n

Dionizy Piatkowski
\nPolish Jazz on Records<\/p>\n

Elisabeth Kolleritsch
\n“Internationales Wissenschaftliches Kolloquium zum Thema: Jazzforschung
\nals Disziplin der Sozialgeschichte” von 19.\u201321. April 1993 in Ascona\/Schweiz<\/p>\n

Buchbesprechungen\/Book Reviews:<\/strong><\/p>\n

Rainer Bratfisch
\nMichael H. Kater: Different Drummers \u2013 Jazz in the Culture of Nazi Germany<\/p>\n

Rainer Bratfisch
\nLothar Lewien: Charlie Mariano \u2013 Tears of Sound. Wanderer zwischen den
\nMusikwelten<\/p>\n

Rainer Bratfisch
\nG\u00e9za G\u00e1bor Simon: The Book of Hungarian Jazz<\/p>\n

Franz Krieger
\nRichard Crawford, Jeffrey Magee: Jazz Standards on Record, 1900\u20131942:
\nA Core Repertory<\/p>\n

Franz Krieger
\nThomas Hirschmann: Charlie Parker. Kritische Beitr\u00e4ge zur Bibliographie
\nsowie zu Leben und Werk<\/p>\n

Franz Krieger
\nJames Lester: Too Marvelous for Words. The Life and Genius of Art Tatum<\/p>\n

Franz Krieger
\nG\u00e9za G\u00e1bor Simon: Magyar Jazzdiszkogr\u00e1fia 1905\u20131994. Hungarian Jazz
\nDiscography 1905\u20131994<\/p>\n

Wolfgang Tozzi
\nRonald Michael Radano: New Musical Figurations: Anthony Braxton’s Cultural
\nCritique<\/p>\n

Antonin Truhl\u00e1r
\nJir\u00ed Zapletal, Jir\u00ed Majer: Gustav Brom \u2013 Mj ivot s kapelou\/Gustav Brom \u2013 Mein
\nLeben mit der Band<\/p>\n

Antonin Truhl\u00e1r
\nKarel Srp: Vyj\u00edme n\u00e9 Stavy\/Polvol\u00e1n\u00ed sekce\/Ausnahmesituation\/Beruf: Jazz Sektion<\/p>\n","protected":false},"excerpt":{"rendered":"

Analytical Models of Jazz Improvisation Peter Herbolzheimer Force, Mass and Acceleration in Oscar Peterson St\u00e9phane Grappelli Leroy “Snake” Whyte \u2013 A Blue Devil Inhalt\/Contents: Aufs\u00e4tze\/Essays: John Brownell Analytical Models of Jazz Improvisation Karl Hemgesberg Peter Herbholzheimer Rhythm Combination & Brass. Entwicklungstendenzen im Jazzrock 1970 bis ’77 Mark Haywood Force, Mass and Acceleration in Oscar Peterson […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-328","post","type-post","status-publish","format-standard","hentry","category-jazz-research"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["de","en"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/328","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/comments?post=328"}],"version-history":[{"count":4,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/328\/revisions"}],"predecessor-version":[{"id":877,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/328\/revisions\/877"}],"wp:attachment":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/media?parent=328"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/categories?post=328"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/tags?post=328"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}