{"id":314,"date":"1990-03-18T10:59:36","date_gmt":"1990-03-18T09:59:36","guid":{"rendered":"https:\/\/jazzresearch.org\/?p=314"},"modified":"2019-03-29T12:37:24","modified_gmt":"2019-03-29T11:37:24","slug":"jazzforschung-22-1990","status":"publish","type":"post","link":"https:\/\/jazzresearch.org\/en\/jazz-research\/jazzforschung-22-1990\/","title":{"rendered":"Jazzforschung \/ Jazz Research 22 (1990)"},"content":{"rendered":"<p><strong>Improvisations of Charlie Christian<\/strong><br \/>\n<strong>Big Band Arrangement<\/strong><br \/>\n<strong>Thad Jones \u2013 Mel Lewis Orchestra<\/strong><br \/>\n<strong>Pepper Adams<\/strong><br \/>\n<strong>Jazzrock in Gro\u00dfbritannien<\/strong><\/p>\n<p><strong>Inhalt\/Contents:<\/strong><\/p>\n<p>Howard Spring<br \/>\nThe Use of Formulas in the Improvisations of Charlie Christian<\/p>\n<p>Oliver Curth<br \/>\nUntersuchungen zu Big Band Arrangements von Thad Jones f\u00fcr das Thad Jones \u2013<br \/>\nMel Lewis Jazz Orchestra<\/p>\n<p>Gary Carner<br \/>\nPepper Adam&#8217;s &#8220;Rue Serpente&#8221;<\/p>\n<p>Bernward Halbscheffel<br \/>\nFr\u00fcher Jazzrock in Gro\u00dfbritannien \u2013 Die Canterbury-Str\u00f6mung<\/p>\n<p><strong>Berichte und kleine Beitr\u00e4ge\/Reports and small Contributions:<\/strong><\/p>\n<p>Hans-J\u00fcrgen Schaal<br \/>\nSwinging Eighties, Kleines Lexikon des Popjazz der Achtziger<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Improvisations of Charlie Christian Big Band Arrangement Thad Jones \u2013 Mel Lewis Orchestra Pepper Adams Jazzrock in Gro\u00dfbritannien Inhalt\/Contents: Howard Spring The Use of Formulas in the Improvisations of Charlie Christian Oliver Curth Untersuchungen zu Big Band Arrangements von Thad Jones f\u00fcr das Thad Jones \u2013 Mel Lewis Jazz Orchestra Gary Carner Pepper Adam&#8217;s &#8220;Rue [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-314","post","type-post","status-publish","format-standard","hentry","category-jazz-research"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["de","en"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/314","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/comments?post=314"}],"version-history":[{"count":4,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/314\/revisions"}],"predecessor-version":[{"id":881,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/314\/revisions\/881"}],"wp:attachment":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/media?parent=314"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/categories?post=314"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/tags?post=314"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}