{"id":311,"date":"1989-03-18T10:58:15","date_gmt":"1989-03-18T09:58:15","guid":{"rendered":"https:\/\/jazzresearch.org\/?p=311"},"modified":"2019-03-29T12:37:29","modified_gmt":"2019-03-29T11:37:29","slug":"jazzforschung-21-1989","status":"publish","type":"post","link":"https:\/\/jazzresearch.org\/en\/jazz-research\/jazzforschung-21-1989\/","title":{"rendered":"Jazzforschung \/ Jazz Research 21 (1989)"},"content":{"rendered":"

Chet Baker bei Gerry Mulligan<\/strong>
\nBebop Harmonie<\/strong>
\nEric Dolphy Transkriptionen<\/strong>
\nBill Evans Trio<\/strong>
\nBix Beiderbecke Klavierkomponist<\/strong>
\nJazzkritik in den 30er Jahren<\/strong>
\nRagtime-Schallplatten in Europa<\/strong>
\nZur Klassifikation des Jazzrhythmus<\/strong>
\n20 Jahre Jazzforschung in Graz<\/strong><\/p>\n

Inhalt\/Contents:<\/strong><\/p>\n

Aufs\u00e4tze\/Essays:<\/strong><\/p>\n

Klaus Scheuer
\nChet Baker. Sein Improvisationsstil im Gerry Mulligan Quartett 1952\u20131953<\/p>\n

Gary M. Potter
\nThe Unique Role of bVII7 in Bebop Harmony<\/p>\n

Clive G. Downs
\nAn Annotated Bibliography of Eric Dolphy Solo Transcriptions<\/p>\n

Charles Blancq
\nBill Evans \u2013 The First Trio<\/p>\n

Frank Murphy
\nBix Beiderbecke \u2013 Composer of the Pianoforte<\/p>\n

Ron Welburn
\nThe American Jazz Writer-Critic of the 1930s<\/p>\n

Rainer Lotz
\nFoolishness Rag, Ragtime in Europa \u2013 neue Gedanken zu alten Tontr\u00e4gern<\/p>\n

Alfons M. Dauer
\nDas Derler-System und der Jazzrhythmus: Berichtigung und Erg\u00e4nzung<\/p>\n

Elisabeth Kolleritsch
\nZwanzig Jahre “Internationale Gesellschaft f\u00fcr Jazzforschung” in der Arbeit
\ndes “Instituts f\u00fcr Jazzforschung ” in Graz<\/p>\n

Berichte und kleine Beitr\u00e4ge\/Reports and small Contributions:<\/strong><\/p>\n

Chris Clark
\nThe Jazz Collection at the British Library National Sound Archive<\/p>\n

Ilse Storb
\n20. Internationale Jazzwoche Burghausen<\/p>\n

Ute B\u00fcchter-R\u00f6mer
\nGr\u00fcndung des Arbeitskreises f\u00fcr Jazz-P\u00e4dagogik und improvisierte Musik<\/p>\n

Buch- und Schallplattenbesprechungen\/Book and Record Reviews:<\/p>\n

Alfons M. Dauer
\nThomas Fitterling: Thelonius Monk. Sein Leben \u2013 seine Musik \u2013 seine Schallplatten<\/p>\n

Alfons M. Dauer
\nJ\u00fcrgen W\u00f6lfer: Dizzy Gillespie. Sein Leben \u2013 seine Musik \u2013 seine Schallplatten<\/p>\n

Alfons M. Dauer
\nPeter Niklas Wilson, Ulfert Goeman: Charlie Parker. Sein Leben \u2013 seine Musik \u2013 seine Schallplatten<\/p>\n

Alfons M. Dauer
\nJames Lincoln Collier: The Reception of Jazz in America. A New View<\/p>\n

Rainer Bratfisch
\nG\u00e9za G\u00e1bor Simon: Magyar Jazzlemezek 1912\u20131984 (Hungarian Jazz Records 1912\u20131984)<\/p>\n

Ilse Storb
\nGerhard Laber: Perkussion. Instrumente und Rhythmen<\/p>\n

Alfons M. Dauer
\nCharley Gerhard, Marty Sheller: Salsa! The Rhythm of Latin Music<\/p>\n

Alfons M. Dauer
\nGerhard Kubik: Zum Verstehen afrikanischer Musik. Ausgew\u00e4hlte Aufs\u00e4tze<\/p>\n

Eugen Brixel
\nStefan Pflicht (Hg.): Gerhard Winkler. Ein Komponisten Portrait<\/p>\n

Alfons M. Dauer
\nVeit Erlmann (Hg.): Mbube Roots. Zulu Choral Music from South Africa, 1930s-1960s<\/p>\n

Alfons M. Dauer
\nThe National Sound Archive (Ed.): Sidiki Diabat\u00e9 and Ensemble Ba Togoma. Manding
\nMusic from Mali<\/p>\n

Alfons M. Dauer
\nThe National Sound Archive (Ed.): Music of the Tukano and Cuna Peoples of Columbia.
\nRecorded in Columbia, 1960\u201361, Digitally Remastered<\/p>\n","protected":false},"excerpt":{"rendered":"

Chet Baker bei Gerry Mulligan Bebop Harmonie Eric Dolphy Transkriptionen Bill Evans Trio Bix Beiderbecke Klavierkomponist Jazzkritik in den 30er Jahren Ragtime-Schallplatten in Europa Zur Klassifikation des Jazzrhythmus 20 Jahre Jazzforschung in Graz Inhalt\/Contents: Aufs\u00e4tze\/Essays: Klaus Scheuer Chet Baker. Sein Improvisationsstil im Gerry Mulligan Quartett 1952\u20131953 Gary M. Potter The Unique Role of bVII7 in […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-311","post","type-post","status-publish","format-standard","hentry","category-jazz-research"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["de","en"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/311","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/comments?post=311"}],"version-history":[{"count":4,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/311\/revisions"}],"predecessor-version":[{"id":882,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/311\/revisions\/882"}],"wp:attachment":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/media?parent=311"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/categories?post=311"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/tags?post=311"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}