{"id":276,"date":"1986-03-18T10:24:45","date_gmt":"1986-03-18T09:24:45","guid":{"rendered":"https:\/\/jazzresearch.org\/?p=276"},"modified":"2019-03-29T12:37:46","modified_gmt":"2019-03-29T11:37:46","slug":"jazzforschung-18-1986","status":"publish","type":"post","link":"https:\/\/jazzresearch.org\/en\/jazz-research\/jazzforschung-18-1986\/","title":{"rendered":"Jazzforschung \/ Jazz Research 18 (1986)"},"content":{"rendered":"

Improvisationstechnik von Cannonball Adderley
\n<\/strong>\u00dcber Archie Shepp’s \u00c4u\u00dferungen zur Musik der schwrzen Amerikaner
\n<\/strong>Analytische Aspekte der Musik von Oregon
\n<\/strong>The Music of Horace Silver
\n<\/strong>Jazz and the Ministrel Tradition: the Young Family Band
\n<\/strong>Politics of Black Music and Poetry: Amiri Baraka and John Coltrane
\n<\/strong>Zur Entstehung und Geschichte des Ragime<\/strong><\/p>\n

Inhaltsverzeichnis\/Contents:<\/strong><\/p>\n

Aufs\u00e4tze\/Essays:<\/strong><\/p>\n

Johann Kawrza<\/p>\n

Julian “Cannonball” Adderley (1928\u20131975). Seine Improvisationstechnik in der
\nZeit seines Schaffens bei Miles Davis<\/p>\n

Gerhard Putsch\u00f6gl<\/p>\n

Zur Schl\u00fcsselfunktion der Musik in der Afro-Amerikanischen Kultur: Archie Shepp
\n\u00fcber die Musiktradition der schwarzen Amerikaner<\/p>\n

Hans U. Werner\/Karen Bettermann<\/p>\n

Oregon: Acoustic State of Music. Eine dokumentarisch-analytische Ann\u00e4herung<\/p>\n

Eddie S. Meadows<\/p>\n

Prolegomenon to the Music of Horace Silver<\/p>\n

Douglas H. Daniels<\/p>\n

Big Top Blues: Jazz-Minstrel Bands and the Young Family Traditions<\/p>\n

Alfons M. Dauer<\/p>\n

Ragtime. Entwurf eines Entstehungsschemas und einer musikalischen Ent-
\nwicklungsgeschichte<\/p>\n

G\u00fcnter H. Lenz<\/p>\n

The Politics of Black Music and the Tradition of Poetry: Amiri Baraka and John Coltrane<\/p>\n

Berichte und kleine Beitr\u00e4ge\/Reports and small Contributions:<\/strong><\/p>\n

Dietrich Schulz-K\u00f6hn<\/p>\n

Delaunay’s Dilemma<\/p>\n

Antonin Truhl\u00e1r<\/p>\n

Czech Jazz Society. Leading power in czechoslovakian jazz life<\/p>\n

Buchbesprechungen\/Book Reviews:<\/strong><\/p>\n

Alfons M. Dauer<\/p>\n

Gerhard Kubik: Tradition afrikanischer Blasorchester und Entstehung des Jazz. Graz 1985<\/p>\n

Alfons M. Dauer<\/p>\n

John Edward Hasse: Ragtime. Its History, Composers, and Music. London 1985<\/p>\n

Alfons M. Dauer<\/p>\n

Barney Bigard: With Louis and the Duke. London 1985<\/p>\n

Alfons M. Dauer<\/p>\n

Gerd Filtgen\/Walter Lachenmann (Hg.): Collection Jazz. Gauting-Buchendorf 1984<\/p>\n

Alfons M. Dauer<\/p>\n

Herbert Hellhund: Cool Jazz. Grundz\u00fcge seiner Entstehung und Entwicklung.
\nMainz-London-New York-Tokyo 1985<\/p>\n

Alfons M. Dauer<\/p>\n

Wolfgang Bender: Sweet Mother. Moderne afrikanische Musk. M\u00fcnchen 1985<\/p>\n

Alfons M. Dauer<\/p>\n

Kwabena N. Bame: Come to Laugh. African Traditional Theatre in Ghana.
\nNew York 1985<\/p>\n

Alfons M. Dauer<\/p>\n

Werner Graebner: Urbanes Leben in Afrika. Mainz 1984<\/p>\n

Alois Mauerhofer<\/p>\n

Ulrich Wegner: Afrikanische Saiteninstrumente. Berlin 1984<\/p>\n

Elisabeth Kolleritsch<\/p>\n

Paul Taylor: Popular Music Since 1955. London 1985<\/p>\n","protected":false},"excerpt":{"rendered":"

Improvisationstechnik von Cannonball Adderley \u00dcber Archie Shepp’s \u00c4u\u00dferungen zur Musik der schwrzen Amerikaner Analytische Aspekte der Musik von Oregon The Music of Horace Silver Jazz and the Ministrel Tradition: the Young Family Band Politics of Black Music and Poetry: Amiri Baraka and John Coltrane Zur Entstehung und Geschichte des Ragime Inhaltsverzeichnis\/Contents: Aufs\u00e4tze\/Essays: Johann Kawrza Julian […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-276","post","type-post","status-publish","format-standard","hentry","category-jazz-research"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["de","en"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/276","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/comments?post=276"}],"version-history":[{"count":9,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/276\/revisions"}],"predecessor-version":[{"id":885,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/276\/revisions\/885"}],"wp:attachment":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/media?parent=276"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/categories?post=276"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/tags?post=276"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}