{"id":268,"date":"1984-03-18T10:22:17","date_gmt":"1984-03-18T09:22:17","guid":{"rendered":"https:\/\/jazzresearch.org\/?p=268"},"modified":"2019-03-29T12:37:57","modified_gmt":"2019-03-29T11:37:57","slug":"jazzforschung-16-1984","status":"publish","type":"post","link":"https:\/\/jazzresearch.org\/en\/jazz-research\/jazzforschung-16-1984\/","title":{"rendered":"Jazzforschung \/ Jazz Research 16 (1984)"},"content":{"rendered":"<div id=\"contentarea\">\n<div id=\"c43477\" class=\"csc-default\">\n<p class=\"bodytext\"><b>Inhaltsverzeichnis\/Contents:<\/b><\/p>\n<p class=\"bodytext\"><b>Aufs\u00e4tze\/Essays:<\/b><\/p>\n<p class=\"bodytext\">Andr\u00e9 Jeanquartier<br \/>\nKritische Anmerkungen zum &#8220;Lydian Chromatic Concept&#8221;<\/p>\n<p class=\"bodytext\">Stephan Palmi\u00e9<br \/>\nJazz Culture in the Thirties: &#8220;Kansas City, here I come!&#8221;<\/p>\n<p class=\"bodytext\">Douglas Henry Daniels<br \/>\nHistory, Racism, and Jazz: The Case of Lester Young<\/p>\n<p class=\"bodytext\">Peter K\u00f6hler\/Konrad Schacht<br \/>\nDie Jazzmusiker. Zur Soziologie einer kreativen Randgruppe<\/p>\n<p class=\"bodytext\">G\u00fcnther Batel<br \/>\nZur emotionalen Wirkung der Rockmusik<\/p>\n<p class=\"bodytext\">Ilse Storb<br \/>\nAn Interview with Dave Brubeck<\/p>\n<p class=\"bodytext\"><b>Berichte und kleine Beitr\u00e4ge\/Reports and small Contributions:<\/b><\/p>\n<p class=\"bodytext\">Maximilian Hendler<br \/>\nGedanken zum &#8220;Lydischen Konzept&#8221; von George Russell<\/p>\n<p class=\"bodytext\">Alfons M. Dauer<br \/>\nLangston Hughes und der Blues<\/p>\n<p class=\"bodytext\">Ilse Storb<br \/>\nDas &#8220;Jazzlabor&#8221; an der Universit\u00e4t-Gesamthochschule Duisburg (FGR)<\/p>\n<p class=\"bodytext\">Moya Aliya Malamusi<br \/>\nThe Zambian Popular Music Scene<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Inhaltsverzeichnis\/Contents: Aufs\u00e4tze\/Essays: Andr\u00e9 Jeanquartier Kritische Anmerkungen zum &#8220;Lydian Chromatic Concept&#8221; Stephan Palmi\u00e9 Jazz Culture in the Thirties: &#8220;Kansas City, here I come!&#8221; Douglas Henry Daniels History, Racism, and Jazz: The Case of Lester Young Peter K\u00f6hler\/Konrad Schacht Die Jazzmusiker. Zur Soziologie einer kreativen Randgruppe G\u00fcnther Batel Zur emotionalen Wirkung der Rockmusik Ilse Storb An Interview [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-268","post","type-post","status-publish","format-standard","hentry","category-jazz-research"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["de","en"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/268","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/comments?post=268"}],"version-history":[{"count":5,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/268\/revisions"}],"predecessor-version":[{"id":887,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/268\/revisions\/887"}],"wp:attachment":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/media?parent=268"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/categories?post=268"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/tags?post=268"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}