{"id":264,"date":"1983-03-18T10:21:14","date_gmt":"1983-03-18T09:21:14","guid":{"rendered":"https:\/\/jazzresearch.org\/?p=264"},"modified":"2019-03-29T12:38:02","modified_gmt":"2019-03-29T11:38:02","slug":"jazzforschung-15-1983","status":"publish","type":"post","link":"https:\/\/jazzresearch.org\/en\/jazz-research\/jazzforschung-15-1983\/","title":{"rendered":"Jazzforschung \/ Jazz Research 15 (1983)"},"content":{"rendered":"<p class=\"bodytext\"><b>Inhaltsverzeichnis\/Contents:<\/b><\/p>\n<p class=\"bodytext\"><b>Aufs\u00e4tze\/Essays:<\/b><\/p>\n<p class=\"bodytext\">Frank Kofsky<br \/>\nBlack Nationalism in Jazz. The Forerunners Resist Establishment Repression, 1958\u20131963<\/p>\n<p class=\"bodytext\">Michael Kugler<br \/>\nNegro Spirituals und europ\u00e4ische Notenschrift. Zur Aufzeichnung afro-amerikanischer Musik,<br \/>\nsowie deren Verarbeitung in der deutschen Musikerziehung<\/p>\n<p class=\"bodytext\">Alfons M. Dauer<br \/>\nMister Charlie \u2013 A Type of Chantefable-Blues. In Commemoration of Samuel &#8220;Lightning&#8221;<br \/>\nHopkins (1912\u20131982)<\/p>\n<p class=\"bodytext\">Berthold Klostermann<br \/>\nVom Gospel Train zum Roten Stern. Die literarische Adaption der Spiritualsymbolik im<br \/>\nnarrativen Fr\u00fchwerk Richard Wrights<\/p>\n<p class=\"bodytext\"><b>Berichte und kleine Beitr\u00e4ge\/Reports and small Contributions:<\/b><\/p>\n<p class=\"bodytext\">Hellmuth Ch. Wolff<br \/>\nJazz an der &#8220;Burg&#8221; in Halle 1932\/33<\/p>\n<p class=\"bodytext\">Wolfgang Grau<br \/>\nAlfred Baresel \u2013 Ein Nestor und Integrator des Jazz. Zum 90. Geburtstag<\/p>\n<p class=\"bodytext\"><b>Buchbesprechungen\/Book Reviews:<\/b><\/p>\n<p class=\"bodytext\">Alfons M. Dauer<br \/>\nHelmut G\u00fcnther: Die T\u00e4nze und Riten der Afro-Amerikaner. Bonn 1982<\/p>\n<p class=\"bodytext\">Michael Hortig<br \/>\nRainer Bratfisch: Blues in Vergangenheit und Gegenwart. o.O. 1982<\/p>\n<p class=\"bodytext\">G\u00fcnter Buhles<br \/>\nUlrich Kurth: Aus der Neuen Welt \u2013 Untersuchungen zur Rezeption afroamerikanischer<br \/>\nMusik in europ\u00e4ischer Kunstmusik des 19. und fr\u00fchen 20. Jahrhunderts. G\u00f6ppingen 1982<\/p>\n<p class=\"bodytext\">J\u00fcrgen Hunkem\u00f6ller<br \/>\nEkkehard Jost: Jazzmusiker, Materialien zur Soziologie der afroamerikanischen Musik.<br \/>\nFrankfurt\/M. 1982<\/p>\n<p class=\"bodytext\">J\u00fcrgen Hunkem\u00f6ller<br \/>\nEkkehard Jost: Sozialgeschichte des Jazz in den USA. Frankfurt\/M. 1982<\/p>\n<p class=\"bodytext\">Antonin Truhlar<br \/>\nVaclav Holzknecht: Jaroslav Jezek. Prag 1982<\/p>\n<p class=\"bodytext\">Antonin Truhlar<br \/>\nLubomir Doruzka\/Petr Doruzka: Panorama Popularni Hudby 1918\/1978. Prag 1981<\/p>\n<p class=\"bodytext\">Franz Kerschbaumer<br \/>\nH. L. Lindenmaier: 25 Years of Fish Horn Recording \u2013 the Steve Lacy Discography 1954\/79.<br \/>\nFreiburg 1982<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Inhaltsverzeichnis\/Contents: Aufs\u00e4tze\/Essays: Frank Kofsky Black Nationalism in Jazz. The Forerunners Resist Establishment Repression, 1958\u20131963 Michael Kugler Negro Spirituals und europ\u00e4ische Notenschrift. Zur Aufzeichnung afro-amerikanischer Musik, sowie deren Verarbeitung in der deutschen Musikerziehung Alfons M. Dauer Mister Charlie \u2013 A Type of Chantefable-Blues. In Commemoration of Samuel &#8220;Lightning&#8221; Hopkins (1912\u20131982) Berthold Klostermann Vom Gospel Train zum [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-264","post","type-post","status-publish","format-standard","hentry","category-jazz-research"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["de","en"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/264","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/comments?post=264"}],"version-history":[{"count":5,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/264\/revisions"}],"predecessor-version":[{"id":888,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/264\/revisions\/888"}],"wp:attachment":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/media?parent=264"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/categories?post=264"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/tags?post=264"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}