Inhaltsverzeichnis\/Contents:<\/b><\/p>\n
Aufs\u00e4tze\/Essays:<\/b><\/p>\n
Franz Kerschbaumer
\nBooker Little \u2013 Seine Improvisation- und Kompositionstechnik<\/p>\n
Alfons M. Dauer
\nDas Lydisch-Chromatische Tonsystem von George Russell und seine Anwendung<\/p>\n
Jeff Pressing
\nPitch Class Set Structures in Contemporary Jazz<\/p>\n
William Ferris
\nAfro-American Folk Music: Three Portraits<\/p>\n
In Memoriam:<\/b><\/p>\n
Franz Kerschbaumer: Franz Jan Slawe (1923\u20131982)<\/p>\n
Buchbesprechungen\/Book Reviews:<\/b><\/p>\n
Carl Gregor Herzog zu Mecklenburg
\nBernhard Hefele: Jazz-Bibliography, M\u00fcnchen\/New York\/London\/Paris 1981<\/p>\n
Wolfgang Grau
\nWofgang Sandner\/Reimer von Essen: Jazz, K\u00f6ln 1980<\/p>\n
Alfons M. Dauer
\nRichard Middleton: The Rise of Jazz, Milton Keynes (Great Britain) 1979<\/p>\n
Alfons M. Dauer
\nGraham Collier: Jazz. Ein F\u00fchrer f\u00fcr Lehrer und Sch\u00fcler. Aus dem Englischen \u00fcber-
\ntragen von J\u00fcrg Solothurnmann, Wilhelmshaven 1982<\/p>\n
Rainer Bratfisch
\nBert Noglik: Jazzwerkstatt International, Berlin (DDR) 1981<\/p>\n
Antonin Truhl\u00e1r
\nHugues Panassi\u00e9: Historie Puvodniho Dzaza (Die Geschichte des echten Jazz)
\nMuzyka Verlag 1978<\/p>\n
Antonin Truhl\u00e1r
\nIvan Horv\u00e1th\/Igor Wasserberger: Osnovy Dzazovej Interpretace (Grundlagen der
\nJazz-Interpretation) Kiew 1980<\/p>\n
Antonin Truhl\u00e1r
\nTheo Lehmann: Mahalia Jacksonova Zpivala Pisne Nadeje (Mahalia Jackson singt Lieder
\nder Hoffnung) Prag 1980<\/p>\n
Antonin Truhl\u00e1r
\nBert Noglik\/Heinz J\u00fcrgen Lindner: Jazz im Gespr\u00e4ch, Berlin (DDR) 1979<\/p>\n
Antonin Truhl\u00e1r,
\nAntonin Matzner\/Ivan Polednak\/Igor Wasserberger: Encyklopedie Jazzu a Moderni
\nPopul\u00e1rni Hudby (Enzyklop\u00e4die des Jazz und der modernen Popularmusik) Prag 1980<\/p>\n","protected":false},"excerpt":{"rendered":"
Inhaltsverzeichnis\/Contents: Aufs\u00e4tze\/Essays: Franz Kerschbaumer Booker Little \u2013 Seine Improvisation- und Kompositionstechnik Alfons M. Dauer Das Lydisch-Chromatische Tonsystem von George Russell und seine Anwendung Jeff Pressing Pitch Class Set Structures in Contemporary Jazz William Ferris Afro-American Folk Music: Three Portraits In Memoriam: Franz Kerschbaumer: Franz Jan Slawe (1923\u20131982) Buchbesprechungen\/Book Reviews: Carl Gregor Herzog zu Mecklenburg Bernhard […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-261","post","type-post","status-publish","format-standard","hentry","category-jazz-research"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["de","en"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/261","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/comments?post=261"}],"version-history":[{"count":4,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/261\/revisions"}],"predecessor-version":[{"id":889,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/261\/revisions\/889"}],"wp:attachment":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/media?parent=261"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/categories?post=261"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/tags?post=261"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}