Inhaltsverzeichnis\/Contents:<\/b><\/p>\n
Aufs\u00e4tze\/Essays:<\/b><\/p>\n
Ilse Storb
\nDave Brubeck, Komponist und Pianist<\/p>\n
Peter Kemper
\nZur Funktion des Mythos im Jazz der 70er Jahre: Soziolkulturelle Aspekte eines
\nmusikalischen Ph\u00e4nomens dargestellt an der \u00e4sthetischen Konzeption des “Art
\nEnsemble of Chicago”<\/p>\n
Joachim-Ernst Berendt
\nZum Problem der Jazzkritik<\/p>\n
Bratislav Anastasijevic
\nZur Geschichte des Jazz in Serbien<\/p>\n
David Evans
\nBlack American Music as a Symbol of Identity<\/p>\n
Christopher Lornell
\nWhy Blacks Sing Blues: Cedar Grove and Durham, North Carolina in the 1930s<\/p>\n
Christian L\u00e4pple
\nAfrikanische Musik in den Massenmedien \u2013 ein Weg zur Popularisierung?<\/p>\n
Kazadi wa Mukana
\nThe Origin of Zaire Modern Music \u2013 Result of a Socio-Economic Process<\/p>\n
M. A. Omibiyi
\nPopular Music in Nigeria<\/p>\n
Berichte und kleine Beitr\u00e4ge\/Reports and small Contributions:<\/b><\/p>\n
Wolfgang Kunert
\nNachwuchsmusiker \u2013 Wunsch und Wirklichkeit aus der Sicht des H\u00f6rfunks<\/p>\n
Ilse Storb
\nGespr\u00e4ch mit Art Taylor anl\u00e4\u00dflich seines Buches “Notes and Tones”<\/p>\n
Angelina Pollak-Eltz
\nDie Quintiplas in Venezuela<\/p>\n
Buchbesprechungen\/Book Reviews:<\/b><\/p>\n
J\u00fcrgen Hunkem\u00f6ller
\nArrigo Polillo: Jazz. Geschichte und Pers\u00f6nlichkeiten der afro-amerikanischen Musik,
\nM\u00fcnchen und Berlin 1978<\/p>\n
Alfons M. Dauer
\nGudrun Endress: Jazz Podium. Musiker \u00fcber sich selbst. Stuttgart 1980<\/p>\n
Alfons M. Dauer
\nErik Kjellberg: Nordisk Jazzforskning. Rapport fran den f\u00f6rsta kongerensen 14\u201316 februari 1980
\ni Stockholm. Stockholm 1981<\/p>\n
Alfons M. Dauer
\nHelmut G\u00fcnther: Jazzdance. Geschichte-Theorie-Praxis. Berlin 1980<\/p>\n","protected":false},"excerpt":{"rendered":"
Inhaltsverzeichnis\/Contents: Aufs\u00e4tze\/Essays: Ilse Storb Dave Brubeck, Komponist und Pianist Peter Kemper Zur Funktion des Mythos im Jazz der 70er Jahre: Soziolkulturelle Aspekte eines musikalischen Ph\u00e4nomens dargestellt an der \u00e4sthetischen Konzeption des “Art Ensemble of Chicago” Joachim-Ernst Berendt Zum Problem der Jazzkritik Bratislav Anastasijevic Zur Geschichte des Jazz in Serbien David Evans Black American Music as […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-257","post","type-post","status-publish","format-standard","hentry","category-jazz-research"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["de","en"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/257","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/comments?post=257"}],"version-history":[{"count":5,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/257\/revisions"}],"predecessor-version":[{"id":890,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/257\/revisions\/890"}],"wp:attachment":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/media?parent=257"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/categories?post=257"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/tags?post=257"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}