Inhalt\/Contents:<\/b><\/p>\n
Aufs\u00e4tze\/Essays:<\/b><\/p>\n
Manfred Straka
\nWei\u00dfer Bebop \u2013 ein eigener Jazzstil?<\/p>\n
Hans H. Kumpf
\nZur Problematik von Jazzkritik<\/p>\n
Wolfgang Sandner
\nZur Charakterisierung der Musik von “Blood, Sweat & Tears” Marginalien zum Jazzrock<\/p>\n
Rainer\u00a0Dollase\/Michael R\u00fcsenberg\/Hans J. Stollenwerk
\nKonsum und Wirkung von Rockmusik. Zur Sozialpsychologie der Rockszene<\/p>\n
David Evans
\nAfrican Elements in Twentieth-Century United States black Folk Music<\/p>\n
Paul N.\u00a0Kavyu
\nThe development of Guitar in Kenya<\/p>\n
Claus P. Dressler
\nDie “Slave Narratives” des 19. Jahrhunderts: ein afroamerikanisches Literaturgenre?
\nVersuch einer historischen Neuinterpretation<\/p>\n
Alfons M. Dauer
\nGeschichte und Systeme des europ\u00e4ischen und afrikanischen Sklavenhandels<\/p>\n
Berichte und kleine Beitr\u00e4ge\/Reports and small Contributions:<\/b><\/p>\n
Franz Kerschbaumer
\nDritte Internationale Jazzwissenschaftliche Tagung in Schielleiten am Stubenbergsee<\/p>\n
Mladen Kenda
\n11th Montreux International Jazz Festival 1977<\/p>\n
Angelina Pollak-Eltz
\nDie Marimbula in Venezuela<\/p>\n
Buchbesprechungen\/Book Reviews:<\/b><\/p>\n
Dieter Glawischnig
\nValerie Wilmer: As Serious as your Life. The Story of the New Jazz. London 1977<\/p>\n
Dieter Glawischnig
\nRoger Cotterrell: Jazz Now, The Jazz Centre Society Guide. London 1976<\/p>\n
J\u00fcrgen Hunkem\u00f6ller
\nArthur Jackson: The World of Big Bands. The Sweet and Swinging Years.
\nNewton Abbot \u2013 London \u2013 Vancouver: David & Charles 1977<\/p>\n
Manfred Straka
\nGraham Collier: Cleo and John \u2013 A biography of the Dankworths. Quartet Books Ltd.,
\nLondon 1976<\/p>\n
Alfons M. Dauer
\nAustin M. Sonnier, Jr.: Willie Geary “Bunk” Johnson. Crescendo Publishing, New York 1977<\/p>\n
Wolfgang Biesterfeld
\nEduard P\u00fctz\/Hugo W. Schmidt: Musik international. Informationen \u00fcber Jazz, Pop, au\u00dfer-
\neurop\u00e4ische Musik. K\u00f6ln, Hans Gerig 1975<\/p>\n
Lobomir Doruzka
\nJosef Kotek: Kronika cesk\u00e9 synkopy. Prag 1975<\/p>\n
Antonin Truhl\u00e1r
\nJosef Kotek: Kronika ceske synkopy. Prag 1975<\/p>\n
Alfons M. Dauer
\nJean-Claude Arnaudon: Dictionnaire du Blues. Collection ‘Jazz Magazine’, Editions
\nFilipacchi, Paris 1977<\/p>\n
Eugen Brixel
\nDavid Horn: The Literature of American Music in Books and Folk Music Collections: a fully
\nannotated bibliography. Metuchen, N. Y. 1977<\/p>\n
Manfred Straka
\nJean-Roland Hippenmeyer: Swiss Jazz Disco. Editions de la Thi\u00e8le, Averdon 1977<\/p>\n
Manfred Straka
\nHans Westerberg: Soumalaiset Jazzlevytykset 1932\u20131976 Helsinki 1977<\/p>\n","protected":false},"excerpt":{"rendered":"
Inhalt\/Contents: Aufs\u00e4tze\/Essays: Manfred Straka Wei\u00dfer Bebop \u2013 ein eigener Jazzstil? Hans H. Kumpf Zur Problematik von Jazzkritik Wolfgang Sandner Zur Charakterisierung der Musik von “Blood, Sweat & Tears” Marginalien zum Jazzrock Rainer\u00a0Dollase\/Michael R\u00fcsenberg\/Hans J. Stollenwerk Konsum und Wirkung von Rockmusik. Zur Sozialpsychologie der Rockszene David Evans African Elements in Twentieth-Century United States black Folk Music […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-245","post","type-post","status-publish","format-standard","hentry","category-jazz-research"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["de","en"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/245","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/comments?post=245"}],"version-history":[{"count":5,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/245\/revisions"}],"predecessor-version":[{"id":893,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/245\/revisions\/893"}],"wp:attachment":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/media?parent=245"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/categories?post=245"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/tags?post=245"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}