Inhalt\/Contents:<\/b><\/p>\n
Aufs\u00e4tze\/Essays:<\/b><\/p>\n
Ekkhard Jost
\nZur \u00d6konomie und Ideologie der sogenannten Fusion Music<\/p>\n
Jeff Pressing
\nTowards an Understanding of Scales in Jazz<\/p>\n
Roger Jannotta
\nGod Bless the Child (An analysis on an unaccompanied bass clarinet solo by Eric Dolphy)<\/p>\n
J\u00fcrg Solothurnmann
\nZur \u00c4sthetik der afro-amerikanischen Musik (Timbre \u2013 Ger\u00e4usch \u2013 Emotion)<\/p>\n
J\u00fcrgen Hunkem\u00f6ller
\nZur Terminologie afro-amerikanischer Musik<\/p>\n
Rainer Dollase\/Michael R\u00fcsenberg\/Hans J. Stollenwerk
\nKommunikation zwischen Rockmusikern und Publikum<\/p>\n
Helmut G\u00fcnther
\nZur Retention afrikanischer Tanzstile in den USA bis heute<\/p>\n
Valentine Ojo
\nYoruba-Musik \u2013 Gestern, Heute, Morgen<\/p>\n
Friedrich Marschall
\nDiscographische Probleme der Nachkriegszeit und ihre Ursachen<\/p>\n
Buchbesprechungen\/Book Reviews:<\/b><\/p>\n
Alfons M. Dauer
\nFrancis Bebey: African Music, a people’s art. London 1975<\/p>\n
Helmut G\u00fcnther
\nFred Traguth: Modern Jazz Dance. Bonn 1977<\/p>\n
Harald Rauter
\nNorbert Ruecker: Jazz Index, Nr. 1 und 2. Frankfurt\/Main 1977<\/p>\n
Alfons M. Dauer
\nSamuel Charters: The Legacy of the Blues. London 1975<\/p>\n
Alfons M. Dauer
\nBill Cole: Miles Davis. A Musical Biography. New York 1974<\/p>\n
J\u00fcrgen Hunkem\u00f6ller
\nJoachim E. Berendt: Ein Fenster aus Jazz. Essays, Portraits, Reflexionen. Frankfurt\/Main 1977<\/p>\n
Manfred Straka
\nAlfons M. Dauer: Der Jazz. Kassel 1977, 3. Auflage<\/p>\n","protected":false},"excerpt":{"rendered":"
Inhalt\/Contents: Aufs\u00e4tze\/Essays: Ekkhard Jost Zur \u00d6konomie und Ideologie der sogenannten Fusion Music Jeff Pressing Towards an Understanding of Scales in Jazz Roger Jannotta God Bless the Child (An analysis on an unaccompanied bass clarinet solo by Eric Dolphy) J\u00fcrg Solothurnmann Zur \u00c4sthetik der afro-amerikanischen Musik (Timbre \u2013 Ger\u00e4usch \u2013 Emotion) J\u00fcrgen Hunkem\u00f6ller Zur Terminologie afro-amerikanischer […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-241","post","type-post","status-publish","format-standard","hentry","category-jazz-research"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["de","en"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/241","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/comments?post=241"}],"version-history":[{"count":5,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/241\/revisions"}],"predecessor-version":[{"id":894,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/241\/revisions\/894"}],"wp:attachment":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/media?parent=241"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/categories?post=241"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/tags?post=241"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}