Inhalt\/Contents:<\/b><\/p>\n
Aufs\u00e4tze\/Essays:<\/b><\/p>\n
G\u00fcnter Buhles
\nDie Jazz-Komponistin Carla Bley. Kurzbiographie, Werkanalyse, W\u00fcrdigung<\/p>\n
J\u00fcrgen Hunkem\u00f6ller
\nStudien zur Idiomatik afroamerikanischer Instrumentalmusik<\/p>\n
Lubom\u00edr Dorzka
\nAnmerkungen zur musikalischen Analyse von Jazz und Rock<\/p>\n
Claus Groh
\n“Couldn’t even spell my name” Rhetorische Mittel des Bluess\u00e4ngers<\/p>\n
Rainer Dollase\/Michael R\u00fcsenberg\/Hans J. Stollenwerk
\nLegenden \u00fcber Rockmusik und ihre Ursachen<\/p>\n
David Evans
\nThe Roots of Afro-American Gospel Music<\/p>\n
B. A. Aning\/James A. Standifer\/Wolfgang Suppan
\nMusical Behavior and Music Education in Different Musical Settings, With Special
\nReference to the Backgrounds of Jazz<\/p>\n
Gerhard Kubik
\nDaniel Kachamba’s Solo Guitar Music. Notes on the Sound Films E 2136 and E 2137,
\nEncyclopaedia Cinematographica G\u00f6ttingen<\/p>\n
Berichte und kleine Beitr\u00e4ge\/Reports and small Contributions:<\/b><\/p>\n
Dieter Glawischnig
\nBerklee College Model of a Jazz School<\/p>\n
David Evans
\nTradition and Creativity in the Folk Blues<\/p>\n
Edoardo Vidossich
\nNouvelles du Br\u00e9sil<\/p>\n
Horst H. Figge
\nShort Note on the Origin of the World “Jazz”<\/p>\n
Anton\u00edn Truhlar
\nJazz Support Power in Czechoslovakia<\/p>\n
Buchbesprechungen\/Book Reviews:<\/b><\/p>\n
Alfons M. Dauer
\nJoachim E. Berendt: Die Story des Jazz, Stuttgart 1975<\/p>\n
Krzysztof Zagrodzki
\nMarek Cabanowski\/Henryk Cholinski: Polska Dyskografia Jazzowa 1955\u20131972,
\nWarszawa 1974<\/p>\n
Roger Cotterrell
\nJoe Harriott Memorial, Gants Hill 1974<\/p>\n
Albrecht Schneider
\nAlain Dister: Frank Zappa et les Mothers of Invention, Paris 1975<\/p>\n
Marg.
\nKarlheinz Drechsel\/Sigurd Rosenhain: Fascination Jazz, Berlin 1974<\/p>\n
J\u00fcrgen Hunkem\u00f6ller
\nLeonhard Feather: From Satchmo to Miles, London 1974<\/p>\n
Ernst Klusen
\nPhilip S. Foner: American Laborsongs of the Nineteenth Century, Urbana 1975<\/p>\n
Wolfgang Suppan
\nFrank J. Gillis\/John W. Miner (Hg.): Oh, Didn’t he Ramble, Urbana u. a. 1974<\/p>\n
Wolfgang Suppan
\nRobert S. Gold: Jazz Talk, Indianapolis\/New York 1975<\/p>\n
Eugen Brixel
\nD\u00f6rte Hartwich-Wiechell: Pop-Musik, K\u00f6ln 1974<\/p>\n
Krzysztof Zagrodzki
\nMax Harrison\/Alun Morgan\/Ronald Atkins\/Michael James\/Jack Cooke: Modern Jazz 1945\u201370,
\nLondon 1975<\/p>\n
Albrecht Schneider
\nHampton Hawes\/Don Asher: Raise up off me, New York 1972\/74<\/p>\n
J\u00fcrgen Hunkem\u00f6ller
\nEkkehard Jost: Free Jazz, Mainz 1975<\/p>\n
Alois Mauerhofer
\nOskar Klein: Pickin’ the Blues, Basel 1974<\/p>\n
Marg.
\nJosef Kotek: Doctor Swing Redivivus, Prag 1974<\/p>\n
David Evans
\nGerhard Kubik: The Kachamba Brothers’ Band, Lusaka 1974<\/p>\n
Marg.
\nRochelle Larkin: Hail Columbia, New Rochelle 1975<\/p>\n
Ilse Storb
\nJean-Marie Leduc\/Jean-Noel Ogouz: La Pop-Music de A\u00e0K\/de L\u00e0Z, Paris 1973<\/p>\n
Marg.
\nReese Markewich: Jazz Publicity II, New York 1974<\/p>\n
Marg.
\nReese Markewich: The New Expanded Bibliography of Jazz Compositions Based
\non the Chord Progressions of Standard Tunes<\/p>\n
Wolfgang Suppan
\nAlbert McCarthy: Big Band Jazz, London 1974<\/p>\n
Marg.
\nCharles Nanry\/David A. Cayer (Hg.): Journal of Jazz Studies 1973 ff.<\/p>\n
Krzysztof Zagrodzki
\nHugues Panassi\u00e9: Louis Armstrong, New York 1971<\/p>\n
Harald Rauter
\nArrigo Polillo: Jazz, Mailand 1975<\/p>\n
Antonin Truhlar
\nJan Poprawa: Jazz w Krakowie, Krak\u00f3w 1976<\/p>\n
Wolfgang Suppan
\nHermann Rauhe\/Hans-Peter Reinecke\/Wilfried Ribke: H\u00f6ren und Verstehen, M\u00fcnchen 1975<\/p>\n
Eugen Brixel
\nBrian Rust: The American Dance Band Discography, New York 1975<\/p>\n
Wolfgang Suppan
\nWolfgang Sandner (Hg.): Rockmusik, Mainz 1977<\/p>\n
Marg.
\nManfred Scheffner (Hg.):\u00a0 Bielefelder Katalog, Bielefeld 1974<\/p>\n
Ernest Bornemann
\nSiegfried Schmidt-Joos\/Barry Graves: Rock-Lexikon, Reinbeck 1973<\/p>\n
Manfred Kaiser
\nFranz Sch\u00f6ler (Hg.): Let it rock, M\u00fcnchen \u2013 Wien 1975<\/p>\n
Marg.
\nEileen Southern (Hg.): The Black Perspective in Music, Cambria Heights 1975<\/p>\n
Marg.
\nKlaus Teubig (Hg.): “V” Disc Catalogue, Berlin 1976<\/p>\n
Ilse Storb
\nD\u00f6rte Wiechell: Didaktik und Methodik der Popmusik, Frankfurt 1975<\/p>\n
Marg.
\nMartin Williams: The Smithsonian Collection of Classic Jazz, New York 1973<\/p>\n","protected":false},"excerpt":{"rendered":"
Inhalt\/Contents: Aufs\u00e4tze\/Essays: G\u00fcnter Buhles Die Jazz-Komponistin Carla Bley. Kurzbiographie, Werkanalyse, W\u00fcrdigung J\u00fcrgen Hunkem\u00f6ller Studien zur Idiomatik afroamerikanischer Instrumentalmusik Lubom\u00edr Dorzka Anmerkungen zur musikalischen Analyse von Jazz und Rock Claus Groh “Couldn’t even spell my name” Rhetorische Mittel des Bluess\u00e4ngers Rainer Dollase\/Michael R\u00fcsenberg\/Hans J. Stollenwerk Legenden \u00fcber Rockmusik und ihre Ursachen David Evans The Roots of […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-237","post","type-post","status-publish","format-standard","hentry","category-jazz-research"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["de","en"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/237","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/comments?post=237"}],"version-history":[{"count":5,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/237\/revisions"}],"predecessor-version":[{"id":895,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/237\/revisions\/895"}],"wp:attachment":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/media?parent=237"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/categories?post=237"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/tags?post=237"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}