Inhalt\/Contents:<\/b><\/p>\n
Aufs\u00e4tze\/Essays:<\/b><\/p>\n
William R. Ferris
\nBlack Prose Narrative from the Mississippi Delta<\/p>\n
Milton Lee Stewart
\nStructural Development in the Jazz Improvisational Technique of Clifford Brown<\/p>\n
Buchbesprechungen\/Book Reviews:<\/b><\/p>\n
Wolfgang Biesterfield
\nPhilippe Bas-Rab\u00e9rin: Le Blues moderne, Paris 1973<\/p>\n
Wolfgang Suppan
\nJan Byrczek (Hg.): European Jazzmen’s Reference Book, Wien 1974<\/p>\n
Manfred Straka
\nGraham Collier: Inside Jazz, London 1973<\/p>\n
Hans Preininger
\nStuff Combe: Anleitung zur Improvisation f\u00fcr Schlagzeug, Mainz 1974<\/p>\n
Eugen Brixel
\nKarl Dallas: Singers of an Empty Day, Birkenhead 1971<\/p>\n
Wolfgang Suppan
\nDuke Ellington: Autobiographie, M\u00fcnchen 1974<\/p>\n
Hans Preininger
\nPeter Giger: Neue Schlagzeugschule, Kabisrain 1974<\/p>\n
Wolfgang Suppan
\nJ\u00e1nos Gonda: Who’s who in Hungarian Jazz, Budapest 1973<\/p>\n
Albrecht Schneider
\nMichael Gray: Song & Dance Man, London 1974<\/p>\n
Wolfgang Suppan
\nSiegmund Helms: Au\u00dfereurop\u00e4ische Musik, Wiesbaden 1974<\/p>\n
Wolfgang Suppan
\nInstitute of Jazz Studies (Hg.): Studies in Jazz Discography I, New Brunswick, N. J. 1971<\/p>\n
Alfons M. Dauer
\nJean-Roland Hippenmeyer: Jazz sur Films, Yverdon 1974<\/p>\n
Manfred Kaiser
\nH. P. Hofmann: Beat Rock, Rhythm & Blues, Soul, Berlin 1973<\/p>\n
Wolfgang Suppan
\nRoger D. Kinkle: The Complete Encyclopedia of Popular Music and Jazz,
\nNew Rochelle 1974<\/p>\n
Wolfgang Suppan
\nGerhard Kubik: The Kachamba Brothers’ Band, Wien 1972<\/p>\n
Wolfgang Suppan
\nKlaus Kuhnke\/Hartmut L\u00fcck\/Manfred Miller\/Tom Schroeder\/Peter Schulze: Roll over
\nBeethoven, Lilienthal 1973<\/p>\n
Anton\u00edn Truhlar
\nTheo Lehmann: Mahalia Jackson, Berlin 1974<\/p>\n
Wolfgang Suppan
\nDan Morgenstern\/Ira Gitler\/Jack Bradley (Hg.): Bird & Diz. A Bibliography, New York 1973<\/p>\n
Dieter Glawischnig
\nJohn Mehegen: Jazz Improvisation 1\u20134, New York 1959\u20131965<\/p>\n
David Evans
\nCharles Nanry (Hg.):\u00a0 American Music: From Storyville to Woodstock, New Brunswick 1973<\/p>\n
Wolfgang Suppan
\nCharles Nanry\/David A. Cayer (Hg.): Journal of Jazz Studies I\/1, 1973<\/p>\n
Diss.-Abstract, Author
\nThomas Owens: Charlie Parker, Los Angeles 1974<\/p>\n
Wolfgang Suppan
\nThomas Owens: Applying the Melograph to “Parkers Mood”, 1974<\/p>\n
Wolfgang Suppan
\nGuy Pellaert\/Nik Cohn\/Ingeborg Schober: Rock Dreams, M\u00fcnchen 1973<\/p>\n
Jan Slawe
\nSteve Propes: Those Oldies but Goodies, London 1973<\/p>\n
Dieter Glawischnig
\nHermann Rauhe: Popularit\u00e4t in der Musik, Karlsruhe 1974<\/p>\n
Wolfgang Suppan
\nGeorg Rebscher: Materialien zum Unterricht in Popularmusik, Wiesbaden 1973<\/p>\n
J\u00fcrgen Hunkem\u00f6ller
\nWilli Roggeman: Free en andere jazz-essays, Rotterdam 1969<\/p>\n
Wolfgang Biesterfeld
\nRoss Russell: Bird Lives, London 1973<\/p>\n
Wolfgang Suppan
\nWilliam J. Schafer\/Johannes Riedel: The Art of Ragtime, Baton Rouge 1973<\/p>\n
Ernest Bornemann
\nAllen Scott: Jazz Educated, Washington 1973<\/p>\n
Alois Mauerhofer
\nJames A. Standifer\/Barbara Reeder: Source Book of African and Afro-American Materials,
\nWashington 1973<\/p>\n
Dieter Glawischnig
\nJoe Viera: Arrangement und Improvisation, Wien 1971<\/p>\n
Wolfgang Suppan
\nJoe Viera: Der Free Jazz, Wien 1974<\/p>\n
Manfred Kaiser
\nMichael Wale: Voxpop, London 1972<\/p>\n
Wolfgang Biesterfeld
\nMary Hays Weik: Jazz Man, Baden-Baden 1974<\/p>\n
Manfred Straka
\nIan Whitcomb: After the Ball, Harmondsworth 1972<\/p>\n","protected":false},"excerpt":{"rendered":"
Inhalt\/Contents: Aufs\u00e4tze\/Essays: William R. Ferris Black Prose Narrative from the Mississippi Delta Milton Lee Stewart Structural Development in the Jazz Improvisational Technique of Clifford Brown Buchbesprechungen\/Book Reviews: Wolfgang Biesterfield Philippe Bas-Rab\u00e9rin: Le Blues moderne, Paris 1973 Wolfgang Suppan Jan Byrczek (Hg.): European Jazzmen’s Reference Book, Wien 1974 Manfred Straka Graham Collier: Inside Jazz, London 1973 […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-233","post","type-post","status-publish","format-standard","hentry","category-jazz-research"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["de","en"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/233","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/comments?post=233"}],"version-history":[{"count":5,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/233\/revisions"}],"predecessor-version":[{"id":896,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/233\/revisions\/896"}],"wp:attachment":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/media?parent=233"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/categories?post=233"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/tags?post=233"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}