{"id":230,"date":"1973-03-18T10:04:11","date_gmt":"1973-03-18T09:04:11","guid":{"rendered":"https:\/\/jazzresearch.org\/?p=230"},"modified":"2019-03-29T12:38:57","modified_gmt":"2019-03-29T11:38:57","slug":"jazzforschung-5-1973","status":"publish","type":"post","link":"https:\/\/jazzresearch.org\/en\/jazz-research\/jazzforschung-5-1973\/","title":{"rendered":"Jazzforschung \/ Jazz Research 5 (1973)"},"content":{"rendered":"<p class=\"bodytext\"><b>Inhalt\/Contents:<\/b><\/p>\n<p class=\"bodytext\"><b>Aufs\u00e4tze\/Essays:<\/b><\/p>\n<p class=\"bodytext\">Davis Evans<br \/>\nFolk, Commercial and Folkloristic Aesthetics in the Blues<\/p>\n<p class=\"bodytext\">Ekkehard Jost<br \/>\nZum Problem des politischen Engagements im Jazz<\/p>\n<p class=\"bodytext\">Helmut G\u00fcnther<br \/>\nTap Dance \u2013 Grundtechniken, Herkunft, Geschichte<\/p>\n<p class=\"bodytext\">William R. Ferris Jr.<br \/>\nGut Bucket Blues: Sacred and Profane<\/p>\n<p class=\"bodytext\">Reimer von Essen\/ Mirjam Sohar<br \/>\nDie Geschichte des Jazz in Frankfurt<\/p>\n<p class=\"bodytext\">Gerhard Kubik<br \/>\nHelmut Hillegeist&#8217;s Bunk-Johnson-Transkriptionen, 1960\/61<\/p>\n<p class=\"bodytext\"><b>Berichte und kleinere Beitr\u00e4ge\/Reports and small Contributions:<\/b><\/p>\n<p class=\"bodytext\">Arthur Benseler<br \/>\nBeobachtungen zur Kwela-Musik<\/p>\n<p class=\"bodytext\">Roman Kowal<br \/>\nFew notes on the Symposia &#8220;Frontiers in Jazz Research&#8221;<\/p>\n<p class=\"bodytext\">Lubomir Doruzka<br \/>\nAm Beispiel Polen \u2013 Jazz Survival Pattern<\/p>\n<p class=\"bodytext\">Antonin Truhlar<br \/>\nJazz im Osten<br \/>\na) Jazz in der DDR<br \/>\nb) Amateurjazz in der CSSR<br \/>\nc) Jazz-Szene der UdSSR<\/p>\n<p class=\"bodytext\">Carl Gregor Herzog zu Mecklenburg<br \/>\nProgess Report of the Bibliograhical Section of the International Society<br \/>\nof Jazz Research<\/p>\n<p class=\"bodytext\">Eugen Brixel<br \/>\nLouis Topic &#8211; 50 Jahre im Dienste des Jazz<\/p>\n<p class=\"bodytext\"><b>Buchbesprechungen\/Book Reviews:<\/b><\/p>\n<p class=\"bodytext\">William R. Ferris<br \/>\nChris Albertson: Bessie New York 1972<\/p>\n<p class=\"bodytext\">Wolfgang Suppan<br \/>\nWalter C. Allen: Hendersonia Highland Park 1973<\/p>\n<p class=\"bodytext\">Franz Kerschbaumer<br \/>\nLouis Armstrong: A Self-Portrait, New York 1966<\/p>\n<p class=\"bodytext\">Antonin Truhlar<br \/>\nAlexey Bataschew: Sov\u00e9tskij Dzaz, Moskau 1973<\/p>\n<p class=\"bodytext\">Eugen Brixel<br \/>\nJ. R. Baxter\/V. Polk: Gospel Song Writers Biography, Dallas 1971<\/p>\n<p class=\"bodytext\">Wolfgang Suppan<br \/>\nJoachim E. Berendt: Das Jazzbuch, Frankfurt 1973<\/p>\n<p class=\"bodytext\">Wolfgang Suppan<br \/>\nSiegfried Borris\/Egon Kraus (Hg.): Musik und Bildung (Zeitschrift)<\/p>\n<p class=\"bodytext\">Eugen Brixel<br \/>\nJack V. Buerkle\/Danny Barker: Bourbon Street Black, New York 1973<\/p>\n<p class=\"bodytext\">Ekkehard Jost<br \/>\nPhilippe Carles\/Jean-Louis Comolli: Free Jazz, Paris 1971<\/p>\n<p class=\"bodytext\">Albrecht Schneider<br \/>\nTony Cash (Hg.): Anatomy of Pop, London 1970<\/p>\n<p class=\"bodytext\">Hartmut Braun<br \/>\nEnrico Cogno: Jazz inchiesta Italia, Bologna 1971<\/p>\n<p class=\"bodytext\">Ilse Storb<br \/>\nNik Cohn: AWopBopaLooBop, Hamburg 1971<\/p>\n<p class=\"bodytext\">Dietrich Schulz-K\u00f6hn<br \/>\nStanley Dance: The World of D. Ellington, New York 1970<\/p>\n<p class=\"bodytext\">Wolfgang Suppan<br \/>\nAvril Dankworth: Jazz, London 1968<\/p>\n<p class=\"bodytext\">Wolfgang Suppan<br \/>\nDominique-Ren\u00e9 de Lerma (Hg.): Reflections on Afro-American Music, Kent 1973<\/p>\n<p class=\"bodytext\">Krzysztof Zagrodzki<br \/>\nPete Fountain\/Bill Neely: A Closer Walk, Chicago 1972<\/p>\n<p class=\"bodytext\">Wolfgang Suppan<br \/>\nCharles Fox: The Jazz Scene, London 1972<\/p>\n<p class=\"bodytext\">Wolfgang Suppan<br \/>\nFrank Garlock: The Big Beat, Greenville 1971<\/p>\n<p class=\"bodytext\">David Evans<br \/>\nRichard M. Garvin\/Edmond G. Addeo: The Midnight Special, New York 1971<\/p>\n<p class=\"bodytext\">Wolfgang Suppan<br \/>\nCharlie Gillet: The Sound of the City, New York 1970<\/p>\n<p class=\"bodytext\">Alfons M. Dauer<br \/>\nHelmut G\u00fcnther\/Manfred Grimmer: Theorie und Praxis des Jazz-Dance, Stuttgart 1972<\/p>\n<p class=\"bodytext\">Dietrich Schulz-K\u00f6hn<br \/>\nW. C. Handy: Blues, New York 1972<\/p>\n<p class=\"bodytext\">J\u00fcrgen Dittmar<br \/>\nSiegmund Helms (Hg.): Schlager in Deutschland, Wiesbaden 1972<\/p>\n<p class=\"bodytext\">J\u00fcrgen Hunkem\u00f6ller<br \/>\nCarl Gregor Herzog zu Mecklenburg. Stilformen des Jazz I, Wien 1973<\/p>\n<p class=\"bodytext\">Carl Gregor Herzog zu Mecklenburg<br \/>\nJean-Roland Hippenmeyer: Jazz sur Films, Yverdon 1973<\/p>\n<p class=\"bodytext\">Krzysztof Zagrodzki<br \/>\nAndr\u00e9 Hodeir: Les mondes du jazz, Paris 1970<\/p>\n<p class=\"bodytext\">Eugen Brixel<br \/>\nRaoul Hoffmann: Zwischen Galaxis &amp; Underground, M\u00fcnchen 1971<\/p>\n<p class=\"bodytext\">Lubomir Doruzka<br \/>\nIvan Horv\u00e1th\/Igor Wasserberger: Z\u00e1klady dzezovej interpret\u00e1cie, Bratislava 1972<\/p>\n<p class=\"bodytext\">Wolfgang Suppan<br \/>\nBruce Jackson (Hg.): Wake up Dead Man, Cambridge 1972<\/p>\n<p class=\"bodytext\">Wolfgang Suppan<br \/>\nJosef Kotek: Prv\u00e1 setk\u00e1ni cesk\u00e9 hudby s jazzovymi idiomy (Die ersten Begegnungen<br \/>\nder tschechischen Musik mit Jazzidiomen) in: Hudebni veda IX, 1972 S. 321-343<\/p>\n<p class=\"bodytext\">Michael Fr\u00f6hlich<br \/>\nRudolf Josel: Posaunen-Schule 3, Wien 1972<\/p>\n<p class=\"bodytext\">Rudolf Josel<br \/>\nEd Kr\u00f6ger: Die Posaune im Jazz, Wien 1972<\/p>\n<p class=\"bodytext\">Wolfgang Suppan<br \/>\nDave Laing: Buddy Holly, London 1971<\/p>\n<p class=\"bodytext\">J\u00fcrgen Hunkem\u00f6ller<br \/>\nEdward Lee: Jazz, London 1972<\/p>\n<p class=\"bodytext\">Carl Gregor Herzog zu Mecklenburg<br \/>\nReese Markewich: Jazz Publicity, Riverdale 1973<\/p>\n<p class=\"bodytext\">Wolfgang Suppan<br \/>\nAlbert McCarthy\/Alun Morgan\/Paul Oliver\/Max Harrison: Jazz on Record, London 1968<\/p>\n<p class=\"bodytext\">Wolfgang Suppan<br \/>\nAlan P. Merriam: African Music on LP, Evanston 1973<\/p>\n<p class=\"bodytext\">Antonin Truhl\u00e1r<br \/>\nFrancis Newton: The Jazz Scene, Prag 1973<\/p>\n<p class=\"bodytext\">James Patrik: The Uses of Jazz Discography in: Notes 29, 1972, S. 17-23<\/p>\n<p class=\"bodytext\">Carl Gregor Herzog zu Mecklenburg<br \/>\nJoel Rothman: Schlagzeugschulen, New York 1961\u201373<\/p>\n<p class=\"bodytext\">Hans Preininger<br \/>\nJoel Rothman: The Compleat Rock Drummer, New York 1973<\/p>\n<p class=\"bodytext\">Wolfgang Suppan<br \/>\nBrian Rust\/Allen G. Debus: The complete Entertainment Discography, New Rochelle 1973<\/p>\n<p class=\"bodytext\">Ernest Bornemann<br \/>\nHelmut Salzinger: Rock Power, Frankfurt 1972<\/p>\n<p class=\"bodytext\">Wolfgang Suppan<br \/>\nSiegfried Schmidt-Joos\/Barry Graves\/Bernie Sigg: Rock Lexikon, Hamburg 1973<\/p>\n<p class=\"bodytext\">Lubomir Doruzka<br \/>\nPete Seeger: The Incompleat Folksinger, New York 1972<\/p>\n<p class=\"bodytext\">Thomas Schwengler<br \/>\nJerry Silverman: Folk Blues, New York 1958<\/p>\n<p class=\"bodytext\">Antonin Truhlar<br \/>\nMateusz Smiecicki: Jazz-Ryhtm XX Wieku, Warschau 1972<\/p>\n<p class=\"bodytext\">Wolfgang Suppan<br \/>\nRudolf Stephan (Hg.): \u00dcber Musik und Politik, Mainz 1971<\/p>\n<p class=\"bodytext\">Wolfgang Suppan<br \/>\nRudolf Stephan (Hg.): Die Musik der sechziger Jahre, Mainz 1972<\/p>\n<p class=\"bodytext\">Wolfgang Suppan<br \/>\nMilton Lee Stewart: Structural Developement in the Jazz Improvisational Technique<br \/>\nof Cliffort Brown, Phil. Diss. University of Michigan 1972<\/p>\n<p class=\"bodytext\">Manfred Straka<br \/>\nRex Stewart: Jazz Masters of the 30&#8217;s, New York 1972<\/p>\n<p class=\"bodytext\">Wolfgang Suppan<br \/>\nFree Jazz Negation \u00e4sthetischer Kategorien \u2013 R\u00fcckkehr zur funktionalen Musik, in:<br \/>\nMusikerziehung 26, Wien 1972\/73, S. 206\u2013208<\/p>\n<p class=\"bodytext\">Ernest Bornemann<br \/>\nJohn F. Szwed: Black America, New York 1970<\/p>\n<p class=\"bodytext\">Lubomir Doruzka<br \/>\nJacques Vassal: Folksong, Paris 1971<\/p>\n<p class=\"bodytext\">Ernest Bornemann<br \/>\nDicky Wells\/Stanley Dance\/Count Basie: The Night People, Boston 1971<\/p>\n<p class=\"bodytext\">Dietrich Schulz-K\u00f6hn<br \/>\nAlec Wilder: American Popular Song, New York 1972<\/p>\n<p class=\"bodytext\">Albrecht Schneider<br \/>\nGraham Wood: An A &#8211; Z of Rock and Roll, London 1971<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Inhalt\/Contents: Aufs\u00e4tze\/Essays: Davis Evans Folk, Commercial and Folkloristic Aesthetics in the Blues Ekkehard Jost Zum Problem des politischen Engagements im Jazz Helmut G\u00fcnther Tap Dance \u2013 Grundtechniken, Herkunft, Geschichte William R. Ferris Jr. Gut Bucket Blues: Sacred and Profane Reimer von Essen\/ Mirjam Sohar Die Geschichte des Jazz in Frankfurt Gerhard Kubik Helmut Hillegeist&#8217;s Bunk-Johnson-Transkriptionen, [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-230","post","type-post","status-publish","format-standard","hentry","category-jazz-research"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["de","en"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/230","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/comments?post=230"}],"version-history":[{"count":4,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/230\/revisions"}],"predecessor-version":[{"id":897,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/230\/revisions\/897"}],"wp:attachment":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/media?parent=230"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/categories?post=230"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/tags?post=230"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}