Inhalt\/Contents:<\/b><\/p>\n
Aufs\u00e4tze\/Essays:<\/b><\/p>\n
Ernest Bornemann
\nBlack Light and White Shadow<\/p>\n
Wolfgang Suppan
\nDer Beitrag der Europ\u00e4ischen Musikethnologie zur Jazzforschung<\/p>\n
Gerhard Kubik
\nDie Verarbeitung von Kwela, Jazz und Pop in der modernen Musik von Malawi<\/p>\n
Ilse Storb
\nHat der Jazz den richtigen Stellenwert in der Musikerziehung?<\/p>\n
Att Annan Mensah
\nJazz \u2013 The round Trip<\/p>\n
Dietrich Sch\u00fcller
\nHistorische V\u00f6lkerkunde und Jazzwissenschaft<\/p>\n
Ekkehard Jost
\nFree Jazz und die Musik der Dritten Welt<\/p>\n
Jan Slawe
\nEin Jazzbericht aus dem Jahre 1919<\/p>\n
Wolfgang Sandner
\nAnmerkungen zur Improvisationstechnik von Albert Mangelsdorff<\/p>\n
Otto Kolleritsch
\nNeue Musik und Improvisation<\/p>\n
Roman Kowal
\nNew Jazz and Some Problems of Its Notation<\/p>\n
Janos Gonda
\nProblems of Tonality and Function in Modern Jazz Improvisation<\/p>\n
Friedrich K\u00f6rner
\nGeschichte des Instituts f\u00fcr Jazz in Graz<\/p>\n
Pavel Platny
\nWas kann der Jazz der Neuen Musik geben? Was kann die Neue Musik dem Jazz geben?<\/p>\n
Franz Kerschbaumer
\nZum Personalstil von Miles Davis<\/p>\n
Berichte und kleine Beitr\u00e4ge\/Reports and small Contributions:<\/b><\/p>\n
Ilse Storb
\nNewport in New York, 1.\u20139. Juli 1972<\/p>\n
Eugen Brixel\/Franz Kerschbaumer
\nZweite internationale jazzwissenschaftliche Tagung in Strobl\/Wolfgangsee, 17.\u201322. April 1972<\/p>\n
Buchbesprechungen\/Book Reviews:<\/b><\/p>\n
Wolfgang Suppan
\nCarl Belz: The Story of Rock, New York 1969<\/p>\n
Wolfgang Suppan
\nJoachim E. Berendt: Das Jazzbuch, Frankfurt-Hamburg 1968<\/p>\n
Krzysztof Zagrodzki
\nRudi Blesh: Combo: USA, Philadelphia u. a. 1971<\/p>\n
Carl Gregor Herzog zu Mecklenburg
\nCarlo Bohl\u00e4nder\/Karl Heinz Holler: Reclams Jazzf\u00fchrer, Stuttgart 1970<\/p>\n
Wolfgang Suppan
\nVada E. Butcher: Developement of Materials for a One Year Course in African Music,
\nWashington 1970<\/p>\n
Wolfgang Suppan
\nVada E. Butcher: Annual Report 1970\u201371, Center for Ethnic Music, Washington 1971<\/p>\n
Karl Gert zur Heide
\nJohn Chilton: Who’s Who of Jazz, London 1970<\/p>\n
Jan Slawe
\nMax Jones\/John Chilton: Louis: The Louis Armstrong Story 1900\u20131971, London 1971
\nStudia Vista (Producted by November Books Limited). 256 S.<\/p>\n
Ernst Klusen
\nR. Serge Denisof: Great Day Coming, Folk Music and the American Left, Urbana 1971<\/p>\n
Dietrich Schulz-K\u00f6hn
\nMichel Dorign\u00e9: Jazz 1, Paris 1968<\/p>\n
Antonin Truhlar
\nLobumir Doruzka: Tvar moderniho jazzu, Praha-Bratislava 1970<\/p>\n
Wolfgang Sandner
\nJonathan Eisen (Hg.): The Age of Rock II, New York 1970<\/p>\n
Wolfgang Suppan
\nDavid Evans: Afro-American One-Stringed Instruments, 1971<\/p>\n
Alfons M. Dauer
\nReinhard Fark: Die mi\u00dfachtete Botschaft, Berlin 1971<\/p>\n
Hartmut Braun
\nFranco Fayenz: Anatomia elementare del Jazz, Milano 1971<\/p>\n
Wolfgang Suppan
\nWilliam R. Ferris Jr.: Verschiedene Publikationen und Filme<\/p>\n
Wolfgang Suppan
\nCharles Fox: Jazz in Perspective, London 1969<\/p>\n
Manfred Straka
\nGene Fernett: A Thousand Golden Horns, Midland 1966<\/p>\n
Manfred Straka
\nGene Fernett: Swing Out. Great Negro Dance Bands, Midland 1970<\/p>\n
Wolfgang Suppan
\nJohn Flower: Moonlight Serenade. A Bio-Discography of the Glenn Miller Civilian
\nBand, New Rochelle 1972<\/p>\n
William R. Ferris Jr.
\nJohn Grissim: Country Music: White Man’s Blues, New York 1970<\/p>\n
Wolfgang Suppan
\nCarl-Heinrich Gr\u00f6ning: Unterhaltungsmusik in der Schule, Frankfurt 1970<\/p>\n
Wolfgang Suppan
\nStefan Grossmann: Delta Blues Guitar, New York 1969<\/p>\n
Gerhard Kubik
\nHelmut G\u00fcnther: Grundph\u00e4nomene und Grundbegriffe des afrikanischen und
\nafro-amerikanischen Tanzes, Graz 1969<\/p>\n
Lutz Lesle
\nWerner Hahn\/Hermann Rauhe: Der deutsche Schlager I, Wiesbaden 1970<\/p>\n
William R. Ferris Jr.
\nW. C. Handy: Father of the Blues (Autobiography), New York 1970<\/p>\n
J\u00fcrgen Hunkem\u00f6ller
\nKarl Gert zur Heide: Deep South Piano<\/p>\n
Klaus Schreiber
\nCarl Gregor Herzog zu Mecklenburg: 1970 Supplement to “International Jazz
\nBibliography, Graz 1971<\/p>\n
Ilse Storb
\nJerry Hopkins: The Rock Story, New York 1970<\/p>\n
Wolfgang Suppan
\nJ\u00fcrgen Hunkem\u00f6ller: Igor Strawinskys Jazz- Portr\u00e4t, 1972<\/p>\n
Manfred Straka
\nDave Jay: The Irving Berlin Songography 1907\u20131966, New Rochelle 1969<\/p>\n
J\u00fcrgen Hunkem\u00f6ller
\nLeRoi Jones: Blues People. Schwarze und ihre Musik im wei\u00dfen Amerika, Darmstadt 1969<\/p>\n
Alfons M. Dauer
\nLeRoi Jones: Schwarze Musik, Frankfurt 1970<\/p>\n
Jan Slawe
\nMax Jones\/John Chilton: Louis. The Louis Armstrong Story, London 1971<\/p>\n
Wolfgang Suppan
\nRolf-Ulrich Kaiser: Rock-Zeit, D\u00fcsseldorf-Wien 1972<\/p>\n
Klaus Schreiber
\nDonald Kennington: The Literature of Jazz, London 1970<\/p>\n
Ernest Bornemann
\nFrank Kofsky: Black Nationalism and the Revolution in Music, New York 1970<\/p>\n
Wiegand Stief
\nHorst H. Lange: Jazz in Deutschland, Berlin 1966<\/p>\n
Wolfgang Suppan
\nPhilip Larkin: All What Jazz. A Record Diary 1961\u201368. London 1970<\/p>\n
Franz Kerschbaumer
\nRichard Mabey: The Pop Process, London 1969<\/p>\n
Dieter Glawischnig
\nReese Markewich: Substitute Harmony in Modern Jazz and Pop Music, Riverdale\/N.Y. 1967<\/p>\n
Dieter Glawischnig
\nReese Markewich: Bibliography of Jazz and Pop Tunes.. , Riverdale\/N.Y. 1970<\/p>\n
Dieter Glawischnig
\nReese Markewich: The Definitive Bibliography of Harmonically Sophisticated Tonal Music,
\nRiverdale\/N.Y. 1970<\/p>\n
Antonin Truhlar
\nAntonin Matzner\/Igor Wasserberger: Jazzov\u00e9 profily, Praha \u2013 Bratislava 1969<\/p>\n
Wolfgang Suppan
\nDavid P. McAllester (Hg.): Readings in Ethnomusicology, New York \u2013 London 1971<\/p>\n
Atta Annan Mensah
\nR. Meltzer: The Aestetics of Rock, New York 1970<\/p>\n
Atta Annan Mensah
\nGeorge Mitchell: Blow my Blues Away, Baton Rouge 1970<\/p>\n
Wolfgang Suppan
\nReginald Nettel: A Social History of Traditional Song, London 1969<\/p>\n
Ernest Bornemann
\nPaul Oliver: The Story of the Blues, London 1969<\/p>\n
Wolfgang Sandner
\nLillian Roxon: Rock Encyclopedia, New York 1969<\/p>\n
Manfred Straka
\nRoss Russell: Jazz Style in Kansas City and the Southwest, Berkeley 1971<\/p>\n
Wolfgang Suppan
\nRobert Schollum: Das kleine Wiener Jazzbuch<\/p>\n
Friedrich Waidacher
\nCees See: Das Schlagzeug im Jazz, Wien 1971<\/p>\n
Wolfgang Suppan
\nArnold Shaw: The World of Soul, New York 1970<\/p>\n
Dietrich Schulz-K\u00f6hn
\nArnold Shaw: The Street that Never Slept, New York 1971<\/p>\n
Wolfgang Suppan
\nGeorge T. Simon: Simon Says. The Sights and Sounds of the Swing Era 1935\u20131955,
\nNew Rockelle 1971<\/p>\n
Antonin Truhlar
\nVladimir Simonenk\u00f3: Melodie Dzaza, Kiew 1970<\/p>\n
Ilse Storb
\nIrwin Stambler: Guitar Years, New York 1970<\/p>\n
Manfred Straka
\nTom Stoddard: Pops Foster, Berkeley 1971<\/p>\n
Wolfgang Suppan
\nHappy Traum: The Blues Bag, New York 1968<\/p>\n
Wolfgang Suppan
\nJoe Viera\/Ed Kr\u00f6ger Quartett: Essay in Jazz, Wien 1972<\/p>\n
Wolfgang Suppan
\nKlaus P. Wachsmann (Hg.): Essays on Music and History in Afica, Evanston 1971<\/p>\n
Krzysztof Zagrodzki
\nMartin Williams: Jazz Masters in Transition 1957\u20131969, London 1970<\/p>\n
\u00a0Ernest Bornemann
\nValerie Wilmer: Jazz People, London 1970<\/p>\n
Wolfgang Suppan
\nDieter Zimmerschied: Beat \u2013 Background \u2013 Beethoven, Frankfurt 1971<\/p>\n","protected":false},"excerpt":{"rendered":"
Inhalt\/Contents: Aufs\u00e4tze\/Essays: Ernest Bornemann Black Light and White Shadow Wolfgang Suppan Der Beitrag der Europ\u00e4ischen Musikethnologie zur Jazzforschung Gerhard Kubik Die Verarbeitung von Kwela, Jazz und Pop in der modernen Musik von Malawi Ilse Storb Hat der Jazz den richtigen Stellenwert in der Musikerziehung? Att Annan Mensah Jazz \u2013 The round Trip Dietrich Sch\u00fcller Historische […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-223","post","type-post","status-publish","format-standard","hentry","category-jazz-research"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["de","en"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/223","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/comments?post=223"}],"version-history":[{"count":5,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/223\/revisions"}],"predecessor-version":[{"id":898,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/223\/revisions\/898"}],"wp:attachment":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/media?parent=223"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/categories?post=223"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/tags?post=223"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}