Inhalt\/Contents:<\/b><\/p>\n
Aufs\u00e4tze\/Essays:<\/b><\/p>\n
Josef Kotek
\nEine Generation im Banne des Jazz<\/p>\n
Ernest Ernest Borneman
\nBlack Light and White Shadow<\/p>\n
J\u00fcrgen Hunkem\u00f6ller
\nAnalytische Untersuchungen zur Kontinuit\u00e4t des Big-Band-Jazz<\/p>\n
Ekkehard Jost
\nZur Musik Ornette Colemans<\/p>\n
Berichte und kleine Beitr\u00e4ge\/Reports and small Contributions:<\/b><\/p>\n
Lubomir Doruzka
\nJazz in der Tschechoslowakei<\/p>\n
Carl Gregor Herzog zu Mecklenburg
\nGedanken zur Jazzbibliographie<\/p>\n
Wolfgang Laade
\n“Globe Unity” \u2013 “Jazz Meets the World”<\/p>\n
Ekkehard Jost
\nSubjektive Betrachtungen zu den Berliner Jazztagen 1970<\/p>\n
Joe Viera
\nJazzlabor der P\u00e4dagogischen Hochschule Ruhr<\/p>\n
Erich Kleinschuster
\nFunktionsbericht des Instituts f\u00fcr Jazz am Konservatorium der Stadt Wien<\/p>\n
Ilpo Saunio
\nJazz education in Finland<\/p>\n
Joe Viera
\nDas Education Center der Europ\u00e4ischen Jazzf\u00f6deration<\/p>\n
Buchbesprechungen\/Book Reviews:<\/b><\/p>\n
Wolfgang Suppan
\nMusikkens Hvem \u2013 Hvad \u2013 Hvor: Jazz Kopenhagen 1969<\/p>\n
Alfons M. Dauer
\nClaus Schreiner (Hg.): Jazz Aktuell, Mainz 1968<\/p>\n
Klaus Schreiber
\nDerek Langridge: Your Jazz Collection, London 1970<\/p>\n
Carl Gregor Herzog zu Mecklenburg
\nMartin Williams: Where’s the Melody?, New York 1969<\/p>\n
Krzysztof Zagrodzki
\nMartin Williams: The Jazz Tradition, New York 1970<\/p>\n
Gerhard Kubik
\nPaul Oliver: Savannah Syncopators, London 1970<\/p>\n
Wolfgang Suppan
\nHarry Oster: Living Country Blues, Detroit 1969<\/p>\n
Ernest Bornemann
\nCharles Keil: Urban Blues, Chicago\/London 1969<\/p>\n
Dietrich Schulz-K\u00f6hn
\nStephen Longstreet: Das war New Orleans, Frankfurt a. M. 1969<\/p>\n
Ernest Bornemann
\nMahalia Jackson: Geschichte ihres Lebens, Z\u00fcrich 1970<\/p>\n
Alfons M. Dauer
\nNeil Leonard: Jazz and the White Americans, Chicago 1970<\/p>\n
Krzysztof Zagrodzki
\nMax Jones\/John Chilton\/Leonard Feather: Salute to Satchmo, London 1970<\/p>\n
Wolfgang Suppan
\nD. Russel Connor\/Warren W. Hicks: B G on Record, New Rochelle 1969<\/p>\n
Dieter Glawischnig
\nWilliam Russo: Composing for the Jazz Orchestra, Chicago\/London 1969<\/p>\n
Dieter Glawischnig
\nJoe Viera: Grundlagen der Jazzharmonik, Wien 1970<\/p>\n
Carl Gregor Herzog zu Mecklenburg
\nJoe Viera: Grundlagen der Jazzrhythmik, Wien 1970<\/p>\n
Carl Gregor Herzog zu Mecklenburg
\nUnterrichtswerke f\u00fcr Schlagzeug (Sammelrezension), Nr. 1\u201318<\/p>\n
Carl Gregor Herzog zu Mecklenburg
\nAlfred A. Goodman: Musik im Blut, M\u00fcnchen 1968<\/p>\n
Wiegand Stief
\nEdward Lee: Music of the People, London 1970<\/p>\n
Wolfgang Suppan
\nDietrich Schulz-K\u00f6hn: Vive la Chanson, G\u00fctersloh 1969<\/p>\n
Wolfgang Sandner
\nDieter Baacke: Beat \u2013 die sprachlose Opposition, M\u00fcnchen 1970<\/p>\n
Wolfgang Suppan
\nKonrad Boehmer: Zwischen Reihe und Pop, Wien\/M\u00fcnchen 1970<\/p>\n
Wolfgang Suppan
\nHorst Menzel: Jugend und Reizmusik, Frankfurt a. M. 1969<\/p>\n","protected":false},"excerpt":{"rendered":"
Inhalt\/Contents: Aufs\u00e4tze\/Essays: Josef Kotek Eine Generation im Banne des Jazz Ernest Ernest Borneman Black Light and White Shadow J\u00fcrgen Hunkem\u00f6ller Analytische Untersuchungen zur Kontinuit\u00e4t des Big-Band-Jazz Ekkehard Jost Zur Musik Ornette Colemans Berichte und kleine Beitr\u00e4ge\/Reports and small Contributions: Lubomir Doruzka Jazz in der Tschechoslowakei Carl Gregor Herzog zu Mecklenburg Gedanken zur Jazzbibliographie Wolfgang Laade […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-219","post","type-post","status-publish","format-standard","hentry","category-jazz-research"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["de","en"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/219","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/comments?post=219"}],"version-history":[{"count":5,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/219\/revisions"}],"predecessor-version":[{"id":899,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/219\/revisions\/899"}],"wp:attachment":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/media?parent=219"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/categories?post=219"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/tags?post=219"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}