{"id":216,"date":"1969-03-18T09:34:07","date_gmt":"1969-03-18T08:34:07","guid":{"rendered":"https:\/\/jazzresearch.org\/?p=216"},"modified":"2019-03-29T12:39:12","modified_gmt":"2019-03-29T11:39:12","slug":"jazzforschung-1-1969","status":"publish","type":"post","link":"https:\/\/jazzresearch.org\/en\/jazz-research\/jazzforschung-1-1969\/","title":{"rendered":"Jazzforschung \/ Jazz Research 1 (1969)"},"content":{"rendered":"<p class=\"bodytext\"><b>Inhalt\/Contents:<\/b><\/p>\n<p class=\"bodytext\">Hellmut Federhofer<br \/>\nVorwort\/Preface<\/p>\n<p class=\"bodytext\">Friedrich K\u00f6rner<br \/>\nGraz \u2013 Zentrum der Jazzforschung<br \/>\nGraz \u2013 Centre of Jazz Research<\/p>\n<p class=\"bodytext\">Erich Marckhl<br \/>\nMusikwissenschaft und Jazz<\/p>\n<p class=\"bodytext\"><b>Aufs\u00e4tze\/Essays:<\/b><\/p>\n<p class=\"bodytext\">Hermann Rauhe<br \/>\nDer Jazz als Objekt interdisziplin\u00e4rer Forschung<br \/>\nJazz as the object of interdisciplinary Research<\/p>\n<p class=\"bodytext\">Jan Slawe<br \/>\nF\u00fcnfzig Jahre Schrifttum \u00fcber Jazz<br \/>\nFifty years of Jazz Literature<\/p>\n<p class=\"bodytext\">Lubomir Doruzka<br \/>\nProbleme und Methoden der Historiographie des Jazz<br \/>\nProblems and Methods of Jazz Historiography<\/p>\n<p class=\"bodytext\">Gerhard Kubik<br \/>\nAfrikanische Elemente im Jazz \u2013 Jazzelemente in der popul\u00e4ren Musik Afrikas<br \/>\nAfrican Elements in Jazz \u2013 Jazz Elements in African Folkmusic<\/p>\n<p class=\"bodytext\">Ernest Bornemann<br \/>\nJazz and the Creole Tradition<\/p>\n<p class=\"bodytext\">Alfons M. Dauer<br \/>\nImprovisation<\/p>\n<p class=\"bodytext\">Dieter Glawischnig<br \/>\nMotivische Arbeit im Jazz<br \/>\nMotive work in Jazz<\/p>\n<p class=\"bodytext\">Friedrich Waidacher<br \/>\nFreiheit in der Beschr\u00e4nkung<br \/>\nFreedom within Limitation<\/p>\n<p class=\"bodytext\">Manfred Miller<br \/>\nDie zweite Akkulturation<br \/>\nThe second Acculturation<\/p>\n<p class=\"bodytext\">Friedrich K\u00f6rner<br \/>\nInstrumentenkunde und Jazz<br \/>\nInstrumentation and Jazz<\/p>\n<p class=\"bodytext\">Ekkehard Jost<br \/>\nEine experimentalpsychologische Untersuchung zur H\u00f6rgewohnheiten von Jazzmusikern<br \/>\nAn experimental Psychologiacal examination of the listening habits of Jazz musicians<\/p>\n<p class=\"bodytext\">Harald Straube<br \/>\nJazz und Schule<br \/>\nJazz and the school<\/p>\n<p class=\"bodytext\"><b>Berichte und kleine Beitr\u00e4ge\/Reports and small Contributions:<\/b><\/p>\n<p class=\"bodytext\">Lilian Putz<br \/>\nErste jazzwissenschaftliche Tagung in Graz<\/p>\n<p class=\"bodytext\"><b>Buchbesprechungen\/Book Reviews:<\/b><\/p>\n<p class=\"bodytext\">Wolfgang Sandner<br \/>\nRolf-Ulrich Kaiser: Das Buch der neuen Pop-Musik<\/p>\n<p class=\"bodytext\">Dieter Glawischnig<br \/>\nPeter Kr\u00e4henb\u00fchl: Der Jazz und seine Menschen. Eine soziologische Studie<\/p>\n<p class=\"bodytext\">Ekkehard Jost<br \/>\nCarl Gregor Herzog zu Mecklenburg: International Jazz Bibliography, Jazz Books<br \/>\nfrom 1919 to 1968<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Inhalt\/Contents: Hellmut Federhofer Vorwort\/Preface Friedrich K\u00f6rner Graz \u2013 Zentrum der Jazzforschung Graz \u2013 Centre of Jazz Research Erich Marckhl Musikwissenschaft und Jazz Aufs\u00e4tze\/Essays: Hermann Rauhe Der Jazz als Objekt interdisziplin\u00e4rer Forschung Jazz as the object of interdisciplinary Research Jan Slawe F\u00fcnfzig Jahre Schrifttum \u00fcber Jazz Fifty years of Jazz Literature Lubomir Doruzka Probleme und Methoden [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-216","post","type-post","status-publish","format-standard","hentry","category-jazz-research"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["de","en"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/216","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/comments?post=216"}],"version-history":[{"count":4,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/216\/revisions"}],"predecessor-version":[{"id":900,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/216\/revisions\/900"}],"wp:attachment":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/media?parent=216"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/categories?post=216"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/tags?post=216"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}