{"id":1547,"date":"2023-02-26T09:33:09","date_gmt":"2023-02-26T08:33:09","guid":{"rendered":"https:\/\/jazzresearch.org\/?p=1547"},"modified":"2024-02-26T09:53:33","modified_gmt":"2024-02-26T08:53:33","slug":"jazz-research-news-59-2023","status":"publish","type":"post","link":"https:\/\/jazzresearch.org\/en\/jazz-research-news\/jazz-research-news-59-2023\/","title":{"rendered":"Jazz Research News 59 (2023)"},"content":{"rendered":"<p><strong>I<\/strong><\/p>\n<p><strong>Informationen \/ Information<\/strong><\/p>\n<p>Kira Dralle<br \/>\n<em>Die Theorie der Spuren<\/em>:<br \/>\nRestoring Black Narratives in the Histories of Jazz<\/p>\n<p><strong>II<\/strong><\/p>\n<p><strong>Rezensionen \/ Reviews<\/strong><\/p>\n<p>Philipp Schmickl<br \/>\nKimberly Hannon Teal, <em>Jazz Places: How Performance Spaces <\/em> <em>Shape Jazz History<\/em><\/p>\n<p>Franz Kerschbaumer<br \/>\nGeorg Alkofer, <em>The Syntax of Sound: Untersuchungen zur <\/em> <em>Musik Pat Methenys (1974\u20131994)<\/em><\/p>\n<p><strong>III<\/strong><\/p>\n<p><strong>Transkriptionen \/ Transcriptions<\/strong><\/p>\n<p>Lukas Proyer<br \/>\n<em>Whippersnapper<\/em> \u2013 as Played by Wayne Krantz<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I Informationen \/ Information Kira Dralle Die Theorie der Spuren: Restoring Black Narratives in the Histories of Jazz II Rezensionen \/ Reviews Philipp Schmickl Kimberly Hannon Teal, Jazz Places: How Performance Spaces Shape Jazz History Franz Kerschbaumer Georg Alkofer, The Syntax of Sound: Untersuchungen zur Musik Pat Methenys (1974\u20131994) III Transkriptionen \/ Transcriptions Lukas Proyer [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-1547","post","type-post","status-publish","format-standard","hentry","category-jazz-research-news"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["de","en"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/1547","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/comments?post=1547"}],"version-history":[{"count":16,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/1547\/revisions"}],"predecessor-version":[{"id":1564,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/posts\/1547\/revisions\/1564"}],"wp:attachment":[{"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/media?parent=1547"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/categories?post=1547"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzresearch.org\/en\/wp-json\/wp\/v2\/tags?post=1547"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}